Ackerman’s book is important for the guidance and hope it offers to stroke victims and their families, and it’s also a...
From prolific poet and essayist Ackerman (Dawn Light: Dancing with Cranes and Other Ways to Start the Day, 2009, etc.), a sensitive memoir about how her relationship with her husband, novelist Paul West, evolved in the aftermath of his stroke.
In one tragic moment, the author watched her husband go from a man with perhaps “one of the largest working vocabularies on earth” to one who could only utter one syllable: “mem.” With most of the language centers in West’s brain crippled, the prognosis for improvement was grim. Undaunted, Ackerman sought standard language-relearning therapies for her husband, which met with frustratingly limited success. Then she tried more unconventional approaches that encouraged West to express himself through circumlocution and creative wordplay. The author understood that her husband needed to be “cajoled, tempted, led out, absorbed in chatting about everyday things, and surrounded by people who talked slowly to him but normally to one another.” As West regained greater linguistic fluency, Ackerman encouraged him to dictate his stroke experiences to her. This project—which was later published in 2008 as The Shadow Factory—offered her husband a way to link the person he had become with the person he had been. It also allowed a glimpse into the extraordinary inner world West had developed as a result of his illness. Soon after the stroke, he claimed to hear three distinct “voices” belonging to, respectively, a BBC announcer, a “tongue-tied aphasic” and a “language-loving scribe with American turns of phrase.” Though initially doomed by doctors to a vegetative existence, West eventually recovered enough to resume his writing and lead a limited, though relatively normal life.
Ackerman’s book is important for the guidance and hope it offers to stroke victims and their families, and it’s also a satisfying, tender and humane celebration of love between two literary elites.Pub Date: April 4, 2011
ISBN: 978-0-393-07241-9
Page Count: 336
Publisher: Norton
Review Posted Online: Dec. 29, 2010
Kirkus Reviews Issue: Jan. 1, 2011
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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