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IN THE COUNTRY WE LOVE

MY FAMILY DIVIDED

A moving, humanizing portrait of the collateral damage caused by America’s immigration policy.

Orange Is the New Black actress Guerrero delivers an affecting tale of a childhood lived in the margins.

Born to undocumented Colombian immigrants upon their arrival stateside, the author quickly learned not to draw attention to herself or her parents. Mami and Papi, lovingly detailed in colloquial and well-paced prose, were hardworking and doting parents, deeply supportive of the author’s interest in the arts. Growing older, Guerrero noticed the small differences that set her family apart—e.g., the way her father’s personality shrunk in public or the terror inspired by an unexpected guest at the door. Mami and Papi struggled tirelessly to remedy their immigration status, but the family’s worst fears were realized when the author was 14: she arrived home from school to an empty house, discovering her parents had been deported just hours earlier. In the book’s strongest passages, Guerrero recounts the fear, shame, and instability that followed. Taken in by a family friend, she found solace in the performing arts while her relationship with her parents grew more fractured over time and distance. As she attempted to define herself and her future, Guerrero grappled with a number of serious financial obstacles and mental health issues, further deepening the rift in familial ties. The author’s candor in chronicling the lowest moments of her life reads like an urgent confessional. Indeed, it wasn’t until she shared her story that the healing—and her acting career—could finally begin. Readers looking for intricate details about Guerrero’s time on set will be disappointed; the sections recounting her Hollywood experiences are rushed, often cluttered with unnecessary detail. The author’s greatest strength lies in her ability to advocate for undocumented immigrants and others affected by immigration status: “I’ve written the book that I wish I could have read when I was that girl.”

A moving, humanizing portrait of the collateral damage caused by America’s immigration policy.

Pub Date: May 3, 2016

ISBN: 978-1-62779-527-2

Page Count: 272

Publisher: Henry Holt

Review Posted Online: March 26, 2016

Kirkus Reviews Issue: April 15, 2016

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EVERYBODY'S GOT SOMETHING

At-times inspirational memoir about a journalist’s battle with a grave disease she had to face while also dealing with her...

With the assistance of Chambers (co-author; Yes, Chef, 2012, etc.), broadcaster Roberts (From the Heart: Eight Rules to Live By, 2008) chronicles her struggles with myelodysplastic syndrome, a rare condition that affects blood and bone marrow.

The author is a well-known newscaster, formerly on SportsCenter and now one of the anchors of Good Morning America. In 2007, she was diagnosed with breast cancer, which she successfully fought with surgery, chemotherapy and radiation treatment. Five years later, after returning from her news assignment covering the 2012 Academy Awards, she learned that chemotherapy had resulted in her developing MDS, which led to an acute form of leukemia. Without a bone marrow transplant, her projected life expectancy was two years. While Roberts searched for a compatible donor and prepared for the transplant, her aging mother’s health also began to gravely deteriorate. Roberts faced her misfortune with an athlete’s mentality, showing strength against both her disease and the loss of her mother. This is reflected in her narration, which rarely veers toward melodrama or self-pity. Even in the chapters describing the transplantion process and its immediate aftermath, which make for the most intimate parts of the book, Roberts maintains her positivity. However, despite the author’s best efforts to communicate the challenges of her experience and inspire empathy, readers are constantly reminded of her celebrity status and, as a result, are always kept at arm's length. The sections involving Roberts’ family partly counter this problem, since it is in these scenes that she becomes any daughter, any sister, any lover, struggling with a life-threatening disease. “[I]f there’s one thing that spending a year fighting for your life against a rare and insidious…disease will teach you,” she writes, “it’s that time is not to be wasted.”

At-times inspirational memoir about a journalist’s battle with a grave disease she had to face while also dealing with her mother’s passing.

Pub Date: April 22, 2014

ISBN: 978-1-4555-7845-0

Page Count: 272

Publisher: Grand Central Publishing

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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JUST KIDS

Riveting and exquisitely crafted.

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  • National Book Critics Circle Finalist


  • National Book Award Winner

Musician, poet and visual artist Smith (Trois, 2008, etc.) chronicles her intense life with photographer Robert Mapplethorpe during the 1960s and ’70s, when both artists came of age in downtown New York.

Both born in 1946, Smith and Mapplethorpe would become widely celebrated—she for merging poetry with rock ’n’ roll in her punk-rock performances, he as the photographer who brought pornography into the realm of art. Upon meeting in the summer of 1967, they were hungry, lonely and gifted youths struggling to find their way and their art. Smith, a gangly loser and college dropout, had attended Bible school in New Jersey where she took solace in the poetry of Rimbaud. Mapplethorpe, a former altar boy turned LSD user, had grown up in middle-class Long Island. Writing with wonderful immediacy, Smith tells the affecting story of their entwined young lives as lovers, friends and muses to one another. Eating day-old bread and stew in dumpy East Village apartments, they forged fierce bonds as soul mates who were at their happiest when working together. To make money Smith clerked in bookstores, and Mapplethorpe hustled on 42nd Street. The author colorfully evokes their days at the shabbily elegant Hotel Chelsea, late nights at Max’s Kansas City and their growth and early celebrity as artists, with Smith winning initial serious attention at a St. Mark’s Poetry Project reading and Mapplethorpe attracting lovers and patrons who catapulted him into the arms of high society. The book abounds with stories about friends, including Allen Ginsberg, Janis Joplin, William Burroughs, Sam Shepard, Gregory Corso and other luminaries, and it reveals Smith’s affection for the city—the “gritty innocence” of the couple’s beloved Coney Island, the “open atmosphere” and “simple freedom” of Washington Square. Despite separations, the duo remained friends until Mapplethorpe’s death in 1989. “Nobody sees as we do, Patti,” he once told her.

Riveting and exquisitely crafted.

Pub Date: Jan. 19, 2010

ISBN: 978-0-06-621131-2

Page Count: 304

Publisher: Ecco/HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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