The controversial and topical premise will be of primary interest to hard-core orca aficionados and, no doubt, someone in...
A motley team of whale enthusiasts rescues a killer whale, or at least consigns him to a more commodious captivity.
Hammond returns to the scene of her last large-mammal cautionary tale (Hannah’s Dream, 2008), the Max L. Biedelman Zoo in fictional Bladenham, Wash. Viernes, an aging orca who was captured in the North Atlantic as a pup, is close to death in a Colombian theme park when he is rescued by Biedelman’s zookeepers, Truman and his girlfriend, Neva, with funding from Truman's aunt Ivy, an eccentric philanthropist. After transporting him to his comparatively luxurious tank at Biedelman, Viernes, renamed Friday (the English translation of his Spanish name), attracts attention from scores of whale fans and, inevitably, animal rights activists. A creature communicator, the quirkily named Libertine Adagio, is drawn to Friday’s side when she receives subliminal messages from the whale. Under Ivy’s mentorship, Libertine signs on as a volunteer caretaker for Friday, under the strict and jaded tutelage of Gabriel, a globe-trotting wildlife expert. Friday, who lived in a state of chronic malnutrition in his South American pool, is gradually regaining his health on a carefully augmented diet of raw fish. Soon, he’s beginning to thrive on the affection he gets from his trainers and audience. This book raises many issues concerning killer whales as theme park entertainers, addressing the cultural phenomena that have contributed to both orca fever and captivity controversies (see Free Willy, Shamu, etc.). However, the plot mechanics grind too slowly, clogged with colorful but rambling dialogue and too much whale maintenance how-to. The principal conflicts—romantic entanglements among Friday’s team and the ultimate dilemma of whether Friday’s ongoing captivity is really less cruel than returning him to the wild—take too long to develop. By the time a genuine crisis erupts, readers may well have given up on these appealing but phlegmatic characters.
The controversial and topical premise will be of primary interest to hard-core orca aficionados and, no doubt, someone in Hollywood.Pub Date: Oct. 15, 2013
ISBN: 978-0-06-212421-0
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: Aug. 17, 2013
Kirkus Reviews Issue: Sept. 1, 2013
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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