THE IMPERSONATOR

Screenwriter Hammond (Sweet Lies, 1979) churns out a slick, sinister sex-cum-suspenser about a gifted, stylishly enervated chameleon's trick of haunting his clients, his lovers, and himself with secrets from the past. The Impersonator, whose name rather anticlimactically turns out to be Barrett Rossignol, first surfaces in New York's Touch Me Club, doing an impersonation of glamorous drowned performance-artist Theo Buckley that captivates her widower, Robert Elias de Pe§a (``author of two slim but popular books of philosophy for the layman''), and arouses the all-too-justified suspicions of Robert's second wife, Jane Donovan, who comes home early one day to find besotted Robert in bed with the Impersonator. Two years later, unwitting Jane herself is living with the Impersonator, who's managed to insinuate himself self- protectively into her life. Ironic, huh? Meantime, cutaways to the Impersonator's previous domestic establishment (he'd been living with Marly, a 30-ish has-been who'd thrown away ``the potential to become one of the greatest actresses of the theater'') and a long flashback to his childhood (he was a poor boy taken up by a wealthy neighbor girl who grew up to become Theo Buckley) have prepared us for the earth-shaking revelation that ``there is no Barrett. I don't think even Barrett thinks there's a Barrett.'' Finally, Jane's brother Hal, testing the Presidential waters by announcing for the Senate, needs to reopen a discreet investigation into Theo's death in order to make sure there's nothing there for the tabloids, and Hal's investigator Jacklin can't help finding the Impersonator's footprints all over Theo's past, right up to the day of her death. The Impersonator's disappeared from her bed and board—no, he's returned to threaten her with a tire iron—no, wait.... It must have taken so much energy to create this handsome, androgynous enigma and give his friends their world-class rÇsumÇs that there's none left over to pull together the threads of this foolish, deluxe trifle.

Pub Date: July 10, 1992

ISBN: 0-385-42362-4

Page Count: 320

Publisher: Doubleday

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 1992

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.

THE RESCUE

High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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