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GOING TO BEND

A portrait of the hard-scrabble life: moving and deftly told.

An exceptional debut about small-time lives and limited dreams in rural America.

Petie (never to be called Patricia) and Rose have been friends since their childhood in Hubbard, a poor seaside town along the Oregon coast. In their early 30s—having had babies right out of high school—the two women work hard for very little, Rose waitressing and Petie cleaning motel rooms. Then Gordon (dying of AIDS) and Nadine come to town and open Souperior’s, an upscale café that makes about as much sense in Hubbard as a Gucci boutique. Rose and Petie become the cooks, which makes life easier, but not by much; Rose is raising a teenaged daughter alone, and Petie has two boys to support, plus her husband Eddie, once again out of a job. Life improves for Rose when Jim Christie comes back to town, a fisherman who stays with her when the season is over. And when Eddie finally gets a job from Ron Schiffen, the Pepsi distributor, Petie can concentrate on her other problems: older son Ryan, a genius scared of everything, and young Loose, a first-grade bully. Hammond’s depiction of the town and its people is refreshingly unsentimental: poverty and bad luck have not created endearing rascals and wise earth mothers. Instead, deprivation makes Rose and Petie tired, a bit narrow-minded, resigned to a life with limits. That may change, though, with Nadine and Gordon’s scheme: a self-published Souperior’s cookbook to help bring in new customers. Rose begins writing down the recipes, and, to Gordon’s delight she’s a natural. Before you know it, they have a real publishing deal with a Los Angeles firm. The story’s real center, though, belongs to Petie, a tough, birdlike woman beaten and abused by her widowed father, raised in abject poverty, saved as a teenager by Eddie’s mother, and now, against all odds, finding love for the first time.

A portrait of the hard-scrabble life: moving and deftly told.

Pub Date: Jan. 20, 2004

ISBN: 0-385-50943-X

Page Count: 400

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 2003

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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