by Diane Johnson ‧ RELEASE DATE: Jan. 20, 2014
The unfailing deftness of the prose makes this book a pleasure.
A European’s challenge inspires a family history.
Essayist, novelist and biographer Johnson (Lulu in Marrakech, 2008, etc.) became interested in her ancestors when a French friend remarked that Americans care so little about their pasts. Taking the criticism as a kind of dare, the author set out to unearth her origins in the Midwest, dismissively called “the Flyover.” Growing up in Moline, Ill., in the 1940s, she admits, was uneventful. Her father was a school principal, her mother an art teacher; her extended family abounded in aunts, uncles and cousins. However, no one cared about the family’s old-world roots. “We were Default Americans, plump, mild, and Protestant,” writes Johnson, “people whose ancestors had come ashore God knew when and had lost interest in keeping track of the details….” Details, though, are what Johnson was after, and she found a treasure in a diary written in 1876 by her great-great-grandmother Catharine Perkins Martin. The diary, along with earlier letters and deeds, informs Johnson’s narrative of her family’s 18th- and 19th-century experiences. Catharine, newly married to a physician, settled in Illinois in 1826. Her life was hard; within five years, she had three daughters. In 1831, scarlet fever swept through the country, and within two weeks, all three were dead. Out of five more children, only one daughter survived; she married a man who fought in the Civil War. Johnson complements Catharine’s memoir with her own recollections: summers at the family’s cabin; afternoons at the movies; teachers’ encouragement of her writing talent; a stint at Mademoiselle alongside Sylvia Plath, who “wore a merry face and a perfect pageboy bob”; marriages, motherhood, career. Some brief chapters seem like hastily recorded impressions, and a few are a bit shapeless. Nevertheless, Johnson, twice nominated for a Pulitzer Prize and National Book Award, is a felicitous writer, cheerfully alert to irony and absurdity.
The unfailing deftness of the prose makes this book a pleasure.Pub Date: Jan. 20, 2014
ISBN: 978-0-670-01640-2
Page Count: 288
Publisher: Viking
Review Posted Online: Oct. 27, 2013
Kirkus Reviews Issue: Nov. 15, 2013
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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