by Diane Rehm ‧ RELEASE DATE: Feb. 2, 2016
The prose reads like journal entries or letters to readers, punctuated by sometimes-trite remarks: “Death is the ultimate...
NPR host Rehm (Life with Maxie, 2010, etc.) reflects on loneliness, loss, and aging.
“For fifty-four years I have been a wife,” Rehm writes in a memoir more notable for candor than artfulness. “Now I am widow. Am I someone new?” In the mid-2000s, her husband, John, was diagnosed with Parkinson’s disease, marking a profound change in their lives. As he gradually succumbed to the illness, the author found herself increasingly alone: the couple slept in separate bedrooms because of John’s involuntary thrashing, and in 2012, he moved into an assisted living facility because he needed 24-hour care. Despondent over his condition, he begged for help to end his life. “We had promised that we would do everything we could to support each other’s wishes in the face of debilitating and unalterable conditions,” Rehm writes. But she was helpless, as were John’s physicians. Making his own decision, John refused food, water, or medicines, and after 10 days, “surely the longest of my life,” the author admits, he died. Rehm was beset by guilt, worrying that she should have given up her career to care for John during the final year of his life. As she looks back at their sometimes-rocky marriage, she blames herself for not being passive or submissive enough to please a man who wanted to dominate. The author is often overcome by grief, not only for John, but “for our youth, for our love, for our happiness.” Widowhood is not the only identity change that Rehm has faced. She wonders who she will be once she retires and how, beginning her eighth decade, she can continue as “a fully engaged human being.”
The prose reads like journal entries or letters to readers, punctuated by sometimes-trite remarks: “Death is the ultimate finality,” she writes. “There is no turning back.” Nevertheless, her perspectives on old age are brave and uplifting.Pub Date: Feb. 2, 2016
ISBN: 978-1-101-87528-5
Page Count: 128
Publisher: Knopf
Review Posted Online: Nov. 23, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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