MICHELANGELO

Stanley is the premier creator of handsome, artistically ambitious, and factually accurate illustrated books that explore and explain the lives and times of major figures throughout history (Joan of Arc, 1998; Leonardo Da Vinci, 1996). She now trains her educated eye on and turns her skilled hand to that Renaissance master of painting and sculpture—Michelangelo. Building on strong preparatory research, Stanley, like the best adult biographers, distills the culture, history, politics, and aesthetic of this unique era. Stanley particularly excels in selecting and integrating just enough context and detail to assure a genuine, empathetic treatment. Indeed, she weaves all the major elements of Michelangelo’s long and astonishingly creative life into a compelling, anecdote-rich narrative: his country childhood with a wet-nurse and her stonecutter husband; early apprenticeships with the fresco painter Ghirlandaio and the sculptor Bertoldo; his “adoption” by Lorenzo de’ Medici of Florence and the benefits of long-term friendships with the Medici family members; his early and dramatic successes with the Pietà and the David; the patronage of Pope Julius II, which led to the Sistine Chapel ceiling and the astonishing Moses; work on the Medici Chapel, the Sistine Chapel’s Last Judgement, St. Peter’s in Rome (not completed in his lifetime); and finally, his peaceful death at 89. Stanley wisely understands the breadth of her own technique; instead of attempting to render these familiar Renaissance images herself, she ably integrates computer-manipulated reproductions of Michelangelo’s masterpieces into her carefully rendered mixed-media illustrations. This handsome, affordable, lavishly illustrated and wonderfully readable book has broad appeal. It deserves heavy representation in home, school, and public library collections. (Biography. 9+)

Pub Date: Aug. 31, 2000

ISBN: 0-688-15085-3

Page Count: 48

Publisher: HarperCollins

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 1, 2000

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A beautiful, powerful reflection on a tragic history.

ON THE HORIZON

In spare verse, Lowry reflects on moments in her childhood, including the bombings of Pearl Harbor and Hiroshima. 

When she was a child, Lowry played at Waikiki Beach with her grandmother while her father filmed. In the old home movie, the USS Arizona appears through the mist on the horizon. Looking back at her childhood in Hawaii and then Japan, Lowry reflects on the bombings that began and ended a war and how they affected and connected everyone involved. In Part 1, she shares the lives and actions of sailors at Pearl Harbor. Part 2 is stories of civilians in Hiroshima affected by the bombing. Part 3 presents her own experience as an American in Japan shortly after the war ended. The poems bring the haunting human scale of war to the forefront, like the Christmas cards a sailor sent days before he died or the 4-year-old who was buried with his red tricycle after Hiroshima. All the personal stories—of sailors, civilians, and Lowry herself—are grounding. There is heartbreak and hope, reminding readers to reflect on the past to create a more peaceful future. Lowry uses a variety of poetry styles, identifying some, such as triolet and haiku. Pak’s graphite illustrations are like still shots of history, adding to the emotion and somber feeling. He includes some sailors of color among the mostly white U.S. forces; Lowry is white.

A beautiful, powerful reflection on a tragic history. (author’s note, bibliography) (Memoir/poetry. 10-14)

Pub Date: April 7, 2020

ISBN: 978-0-358-12940-0

Page Count: 80

Publisher: HMH Books

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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Despite its not insignificant flaws, this book provides insights into the lives of important women, many of whom have...

SHE DID IT!

21 WOMEN WHO CHANGED THE WAY WE THINK

Caldecott Medalist McCully delves into the lives of extraordinary American women.

Beginning with the subject of her earlier biography Ida M. Tarbell (2014), McCully uses a chronological (by birth year) structure to organize her diverse array of subjects, each of whom is allotted approximately 10 pages. Lovely design enhances the text with a full-color portrait of each woman and small additional illustrations in the author/illustrator’s traditional style, plenty of white space, and spare use of dynamic colors. This survey provides greater depth than most, but even so, some topics go troublingly uncontextualized to the point of reinforcing stereotype: “In slavery, Black women had been punished for trying to improve their appearance. Now that they were free, many cared a great deal about grooming”; “President Roosevelt ordered all Japanese Americans on the West Coast to report to internment camps to keep them from providing aid to the enemy Japanese forces.” Of the 21 surveyed, one Japanese-American woman (Patsy Mink) is highlighted, as are one Latinx woman (Dolores Huerta), one Mohegan woman (Gladys Tantaquidgeon), three black women (Madam C.J. Walker, Ella Baker, and Shirley Chisholm), four out queer white women (Billie Jean King, Barbara Gittings, Jane Addams, and Isadora Duncan; the latter two’s sexualities are not discussed), two Jewish women (Gertrude Berg and Vera Rubin), and three women with known disabilities (Addams, Dorothea Lange, and Temple Grandin).

Despite its not insignificant flaws, this book provides insights into the lives of important women, many of whom have otherwise yet to be featured in nonfiction for young readers. (sources) (Collective biography. 10-14)

Pub Date: Nov. 6, 2018

ISBN: 978-1-368-01991-0

Page Count: 272

Publisher: Disney-Hyperion

Review Posted Online: Sept. 30, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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