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MEMBER OF THE FAMILY

MY STORY OF CHARLES MANSON, LIFE INSIDE HIS CULT, AND THE DARKNESS THAT ENDED THE SIXTIES

Though firsthand, a minor addition to the literature surrounding the Manson cult.

A one-time member of the Manson family delivers a dutiful account of her part in that history of mayhem.

“I had buried my history so well I’d almost forgotten that once I was someone else,” writes Lake—called, in Mansonese, “Snake.” Rattled out of decades of small-f family life, churchgoing, and good deeds—she testified against Manson and her fellow cultists during the notorious Sharon Tate murder trials and was released to a foster family as a minor, thus avoiding imprisonment—by the news that a corpse dog might have located yet more bodies in the haunt of the Manson family, she turns in a memoir that is courageous in spirit but long on self-justification: if society didn’t make her run off and join the cult, then her hippie parents, erstwhile members of the decidedly peaceful Hog Farm commune, certainly didn’t help with their endless permissiveness. The Stockholm syndrome is well in play as Lake describes Manson’s deft use of psychological tricks—some of them picked up by doing time with pimps on Terminal Island—to undermine the egos of his young followers, especially girls. “The first was to use fear and intimidation, but that didn’t always work,” she writes, adding, “the final and most important was making the girl feel fully loved.” Lake goes on to reveal that in her case, as the youngest member of the family, fear was the strongest operative factor, with Manson often threatening her. The author’s portraits of figures such as Tex Watson, Leslie Van Houten, and Susan Atkins will be of interest to Manson completists, although the main outlines are already well-known. Likewise, the author’s account of a bewildered, manipulated Dennis Wilson, of Beach Boys fame, makes it clear that Brian wasn’t the only brother to have borne mental wounds from childhood abuse—again, no real news there.

Though firsthand, a minor addition to the literature surrounding the Manson cult.

Pub Date: Oct. 24, 2017

ISBN: 978-0-06-269557-4

Page Count: 336

Publisher: Morrow/HarperCollins

Review Posted Online: Sept. 27, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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