Though firsthand, a minor addition to the literature surrounding the Manson cult.

MEMBER OF THE FAMILY

MY STORY OF CHARLES MANSON, LIFE INSIDE HIS CULT, AND THE DARKNESS THAT ENDED THE SIXTIES

A one-time member of the Manson family delivers a dutiful account of her part in that history of mayhem.

“I had buried my history so well I’d almost forgotten that once I was someone else,” writes Lake—called, in Mansonese, “Snake.” Rattled out of decades of small-f family life, churchgoing, and good deeds—she testified against Manson and her fellow cultists during the notorious Sharon Tate murder trials and was released to a foster family as a minor, thus avoiding imprisonment—by the news that a corpse dog might have located yet more bodies in the haunt of the Manson family, she turns in a memoir that is courageous in spirit but long on self-justification: if society didn’t make her run off and join the cult, then her hippie parents, erstwhile members of the decidedly peaceful Hog Farm commune, certainly didn’t help with their endless permissiveness. The Stockholm syndrome is well in play as Lake describes Manson’s deft use of psychological tricks—some of them picked up by doing time with pimps on Terminal Island—to undermine the egos of his young followers, especially girls. “The first was to use fear and intimidation, but that didn’t always work,” she writes, adding, “the final and most important was making the girl feel fully loved.” Lake goes on to reveal that in her case, as the youngest member of the family, fear was the strongest operative factor, with Manson often threatening her. The author’s portraits of figures such as Tex Watson, Leslie Van Houten, and Susan Atkins will be of interest to Manson completists, although the main outlines are already well-known. Likewise, the author’s account of a bewildered, manipulated Dennis Wilson, of Beach Boys fame, makes it clear that Brian wasn’t the only brother to have borne mental wounds from childhood abuse—again, no real news there.

Though firsthand, a minor addition to the literature surrounding the Manson cult.

Pub Date: Oct. 24, 2017

ISBN: 978-0-06-269557-4

Page Count: 336

Publisher: Morrow/HarperCollins

Review Posted Online: Sept. 28, 2017

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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