Romain’s emotional tale brings the interior worlds of its female characters to life.


An arresting novel about tightly wound secrets and the art of letting go of them.

Callie Quinn is a mild-mannered translator working out of Guanajuato, Mexico. Her life is one of order and lists, and Romain (Thinking Things Through, 1996) populates it with colorful characters, including Armando Torres, a closeted gay drummer in an orchestra to whom she teaches French. A mission to recover Armando’s dog, Tavelé, eventually forces Callie to recall a long-buried secret. Armando is convinced that Pamela Fischer, a new trumpeter in the orchestra, has stolen his dog and encourages Callie to go undercover as Pamela’s new trumpet student to investigate. Armando’s overwrought behavior toes the line of believability, but his charm and childlike nature contrast well with Callie’s seriousness, making for an amusing, if sometimes-tense, dynamic. It turns out that Pamela, a black woman, was adopted, and Callie knows something of the sadness that permeates her music. As a white girl growing up in segregated Missouri in the 1960s, Callie was quiet and studious and sang in her church choir. Later, she met Noah, a young black man from a Kansas City church. Noah’s family expected him to become a “leader in [their] community” and settle down with “a respectable Negro woman.” Then Callie became pregnant with his child. In the present, when Callie’s mother comes to visit, the neatly stacked obfuscations of Callie’s life threaten to topple. Through evenly dispersed flashbacks, Romain clearly renders the complex racial dynamics of the times in which the characters lived. The novel sometimes edges toward melodrama, but the author’s generous explorations of the Guanajuato landscape and the backgrounds of her secondary characters help to round out a subtle, satisfying story.

Romain’s emotional tale brings the interior worlds of its female characters to life.

Pub Date: Sept. 24, 2019

ISBN: 978-1-63152-598-8

Page Count: 296

Publisher: She Writes Press

Review Posted Online: May 13, 2019

Kirkus Reviews Issue: June 15, 2019

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Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.


Named for an imperfectly worded fortune cookie, Hoover's (It Ends with Us, 2016, etc.) latest compares a woman’s relationship with her husband before and after she finds out she’s infertile.

Quinn meets her future husband, Graham, in front of her soon-to-be-ex-fiance’s apartment, where Graham is about to confront him for having an affair with his girlfriend. A few years later, they are happily married but struggling to conceive. The “then and now” format—with alternating chapters moving back and forth in time—allows a hopeful romance to blossom within a dark but relatable dilemma. Back then, Quinn’s bad breakup leads her to the love of her life. In the now, she’s exhausted a laundry list of fertility options, from IVF treatments to adoption, and the silver lining is harder to find. Quinn’s bad relationship with her wealthy mother also prevents her from asking for more money to throw at the problem. But just when Quinn’s narrative starts to sound like she’s writing a long Facebook rant about her struggles, she reveals the larger issue: Ever since she and Graham have been trying to have a baby, intimacy has become a chore, and she doesn’t know how to tell him. Instead, she hopes the contents of a mystery box she’s kept since their wedding day will help her decide their fate. With a few well-timed silences, Hoover turns the fairly common problem of infertility into the more universal problem of poor communication. Graham and Quinn may or may not become parents, but if they don’t talk about their feelings, they won’t remain a couple, either.

Finding positivity in negative pregnancy-test results, this depiction of a marriage in crisis is nearly perfect.

Pub Date: July 17, 2018

ISBN: 978-1-5011-7159-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 1, 2018

Kirkus Reviews Issue: May 15, 2018

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Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...


Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson. 

Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty. 

Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.

Pub Date: March 18, 2014

ISBN: 978-1-4767-5316-4

Page Count: 384

Publisher: Atria

Review Posted Online: May 7, 2014

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