by Diego Gerard Morrison ‧ RELEASE DATE: May 7, 2024
A bleary-eyed ramble through generational grief, inherited hurt, and the collateral damage that nobody expects.
An alcoholic writer who recently returned to Mexico City grapples with despair in the wake of loss.
Skipping along on many of the same thematic touchstones as Morrison’s debut novel, Myth of Pterygium (2022), this follow-up marinates in its literary navel-gazing while simultaneously amplifying its pedestrian horrors. This weird dissonance can distract from the genuinely moving human suffering. Our narrator (mostly) is Aureliano Más, a 30-something writing student who has come back from New York City at the behest of his Aunt Rose, an influential novelist who has used her influence to secure him a writing fellowship and a mentor. When we meet him, he’s daydreaming about day drinking with his writing pal Chris at their old Brooklyn watering hole, but reality soon sinks in. There are reasons behind Aureliano’s misery, but they’re doled out in such fragments and delivered with such emotional gravitas that their actual impact on the page seems diminished. He claims a deep desire to write the novel that obliterates magical realism from the Mexican canon, but the defining fact of Aureliano’s life is his deepening alcoholism. There’s some humor here—Chris’s cleareyed dissections of his output being one, while Aureliano’s award is named the Under the Volcano Fellowship, nodding to Malcolm Lowry’s mezcal-soaked tragedy. Mostly it comes from a place of terrible pain, though, as Aureliano tries to reconcile the absence of his mother, long since disappeared, with literary balms. Between blackouts, we also get a large chunk of Rose’s failed novel about her early life with Aureliano’s mother, an unapologetic confession from his father, and the prototypical absence of resolution. One might think that sudden violence, two earthquakes, and the ravages of drink would breathe some much-needed life into the tale, but alas, no. We leave our man in much the same place we found him—searching for answers that never come.
A bleary-eyed ramble through generational grief, inherited hurt, and the collateral damage that nobody expects.Pub Date: May 7, 2024
ISBN: 9781953387400
Page Count: 320
Publisher: Two Dollar Radio
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
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by Virginia Evans ‧ RELEASE DATE: May 6, 2025
An affecting portrait of a prickly woman.
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New York Times Bestseller
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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SEEN & HEARD
by Jennette McCurdy ‧ RELEASE DATE: Jan. 20, 2026
A debut novel with bright spots, but unbalanced and lacking in finesse.
A high school senior pursues an affair with her teacher.
Seventeen-year-old Waldo, the narrator of McCurdy’s fiction debut, lives in Anchorage, Alaska, with her mother, though she’s long been the parent in their relationship. She heats her own frozen meals and pays the bills on time while her mom chases man after man and makes well-meaning promises she never keeps. Waldo blows her Victoria’s Secret wages on online shopping sprees and binges on junk food, inevitably crashing after the fleeting highs of her indulgences. Mr. Korgy, her creative writing teacher, has “thinning hair and nose pores”; he’s 40 years old and married with a child. Nevertheless—or possibly as a result?—Waldo’s attraction to him is “instant. So sudden it’s alarming. So palpable it’s confusing.” Mr. Korgy professes to want to keep their friendship aboveboard, but after a sexual encounter at the school’s winter formal that she initiates, an affair begins. Will this reckless pursuit be the one that actually satisfies Waldo, and is she as mature as she thinks she is? Waldo is a keen observer of people and provides sharp commentary on the punishing work of female beauty. Readers of McCurdy’s bestselling memoir, I’m Glad My Mom Died (2022), will surely be curious about the tumultuous mother-daughter relationship, and it is one of the novel’s highlights, full of realistic pity and anger and need. (“I want to scream at her. I want her to hug me.”) Unfortunately, the prose is often unwieldy and sometimes downright cringeworthy: When Waldo tells Mr. Korgy she loves him, “The words hang in the air in that constipated way they do when you know that you shouldn’t have said them.” Waldo frequently lists emotions and adjectives in triplicate, and events that could be significant aren’t sufficiently explored or given enough space to breathe before the novel races on to the next thing.
A debut novel with bright spots, but unbalanced and lacking in finesse.Pub Date: Jan. 20, 2026
ISBN: 9780593723739
Page Count: 288
Publisher: Ballantine
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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SEEN & HEARD
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