A well-crafted tale of despair and hope.
In this novel, an aspiring poet with eyesight problems, a baby on the way, and a dark family legacy struggles in Mexico City.
At first, it seems as if the unnamed narrator has a perfectly benign, if annoying, eye condition. He is told that it’s pterygium (and likely caused by the ever growing pollution problem in Mexico City), given eye drops, and sent home. There, he faces his dwindling editing career, his ambitions to be a poet, and a very pregnant wife on maternity leave from her urban planning job. But just as his eye worsens, so does his financial condition, and the pressures of upcoming parenthood lead him to break a lifetime commitment to avoid his shameful family’s weapons-dealing business. He ends up asking his relatives for a job. And this is where a seemingly contained, small slice-of-life story about a frustrated poet and his pregnant wife unveils its hidden depths. The narrator—sometimes called Arthur due to his similarities to poet-turned–arms dealer Arthur Rimbaud—feels his eyesight diminishing and the walls closing in on him. (“The news on TV can best be described as the bastard child of current events and slasher films….The gunfire on the screen makes me wonder if my mother’s gun enterprise is feeding all this drug violence.”) He suffers the humiliation of asking a favor from his abrasive brother, going back to the abhorrent family enterprise, and becoming a part of a vicious, corrupt cycle of destruction that affects a decaying society. His other problems range from the worries of bringing a child into this collapsing world to the misfortunes of editing the prose of a terrible writer. This all builds up to a finale that is a skillful blend of the micro and the macro—the idiosyncrasies of one person’s life and the magnitude of a country’s future. The short novel offers succinct chapters—sometimes just a few lines—in which every word is not only meaningful, but also carefully chosen to smartly match its main character’s status as an editor, a lover of language, and a failed poet. And amid all of the devastation, Morrison manages to deftly weave threads of optimism into the bleak claustrophobia of his story.
A well-crafted tale of despair and hope.Pub Date: March 22, 2022
ISBN: 978-1-63768-029-2
Page Count: 136
Publisher: Autumn House Press
Review Posted Online: Sept. 7, 2022
Kirkus Reviews Issue: Oct. 15, 2022
Review Program: Kirkus Indie
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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