A historical novel that merrily dances and jukes its way across the pitch of time.
Gilbert Chevalier, the (fictional) Haitian-born hero of the 1950 U.S. World Cup soccer team, recounts the story of his brief, mostly charmed life while at death’s door.
Gilbert, “aka Gil the Voodoo Child, aka Kid Haiti, aka Le Walking Heartbreak…Le Savoir,” is several years removed from shocking the world with his game-winning goal during the U.S. team’s upset of heavily favored England when he faces a firing squad in Fort Dimanche, “the worst place to be in Haiti.” His execution day climaxes years of imprisonment under the brutal dictatorship of François “Papa Doc” Duvalier, among whose lovers is Gilbert’s estranged wife, Elizabeth, the daughter of an exiled Nazi. As you can tell, Gilbert’s life is complicated; there are many women, including the love of his life, Aurélie, who was engaged to Gilbert’s brother when he began his romance with her shortly after marrying Elizabeth. By that time, Gilbert is a soccer prodigy who must forsake the Beautiful Game when he leaves for New York City in the late 1940s to study economics. While there, he rooms with the already celebrated trumpeter Miles Davis and learns much about life, love, money, and the varieties of American racism clotting the streets like weeds. Football rudely reenters Gil’s life when a soccer ball slams into his face as he’s walking through Central Park. He starts playing his way back to his youthful virtuosity and, though he never becomes an American citizen, he is recruited to join a patchwork Team USA for the 1950 World Cup competition in Brazil, where fame and still more complications await, leading to his fateful run-in with Papa Doc. Inspired by the real-life saga of soccer legend Joe Gaetjens, this follow-up to Léger’s debut novel, God Loves Haiti (2015), plays fast and loose with chronology, conflating historic personalities and events so much as to flirt with flagrant anachronism. Yet, like its predecessor, the novel moves with lyrical, imaginative force, especially in its vivid evocations of soccer play, while also showcasing the author’s penchant for orchestrating funny and poignant romantic interludes.
A historical novel that merrily dances and jukes its way across the pitch of time.Pub Date: May 12, 2026
ISBN: 9780374619886
Page Count: 240
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: Feb. 16, 2026
Kirkus Reviews Issue: March 15, 2026
BOOK REVIEW
PERSPECTIVES
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
