GOD LOVES HAITI

Name: GOD LOVES HAITI
Author: Dimitry Elias Léger
ISBN: 978-0-06-234813-5

by Dimitry Elias Léger ‧ RELEASE DATE: Jan. 6, 2015

With shimmering, lyrical prose, Léger conjures an incisive vision of Haiti’s complex heritage, tortured soul and dauntless...

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Can an unimaginable catastrophe bring forth a triumph of the imagination? It can and, in the case of Haiti’s 2010 earthquake, has with this bright, brilliant novel.

Journalist Léger’s first novel is, all at once, a bittersweet romantic comedy of errors, a vivid evocation of a calamity’s aftereffects and a valentine to his home nation of Haiti. The calamity in question is the 2010 earthquake that ravaged the island in a manner of seconds. In the midst of the devastation, three intersecting lives arrive at a reckoning: the country’s president, who has inherited a terrible legacy from decades of tyranny and corruption; his wife, Natasha Robert, a beautiful artist who, just before the quake struck, was in a sexual clinch in the presidential palace with her former lover Alain Destinè, the dreamer/entrepreneur she dumped for the chief executive. For a while after the quake, none of the three sides of this romantic triangle is certain the others have survived, yet they carry on with their lives on and off the island. The president is shown heading north to the U.N. in search of support, moral and otherwise. He finds it from his American counterpart in a hilarious exchange that, even if it didn’t happen, should have. Alain, meanwhile, finds himself dragging a broken foot through the debris while finding other survivors and dodging thugs ordered by the president to kill him for coveting his wife. (He’s saved from a beating by an American movie star who’s helping with the recovery.) As for Natasha, she wanders the battered landscape of bodies and rubble in a daze, her personal regrets overpowered by the grace and perseverance she finds in her people, whose country’s history was fraught with despair, death and injustice even before it was changed forever by what Haitians call the “goudou-goudou” (a euphemism approximating the sounds made by the earthquake).

With shimmering, lyrical prose, Léger conjures an incisive vision of Haiti’s complex heritage, tortured soul and dauntless spirit.

Pub Date: Jan. 6, 2015

ISBN: 978-0-06-234813-5

Page Count: 272

Publisher: Amistad/HarperCollins

Review Posted Online: Jan. 7, 2015

Kirkus Reviews Issue: Jan. 15, 2015

Categories:

LITERARY FICTION

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ANIMAL FARM

A FAIRY STORY

by George Orwell ‧ RELEASE DATE: Aug. 26, 1946

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A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

Categories:

LITERARY FICTION

- BOOK REVIEW
GEORGE ORWELL
by George Orwell ; edited by Peter Davison

- BOOK REVIEW
DIARIES
by George Orwell & edited by Peter Davison

- BOOK REVIEW
ALL ART IS PROPAGANDA
by George Orwell

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THE SECRET HISTORY

by Donna Tartt ‧ RELEASE DATE: Sept. 16, 1992

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The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.