A smart, sarcastic, illustrated look at the cat-keeping lifestyle.

Cat Post

A short collection of humorous vignettes from the life of a cat owner.

Maggots’ (Cupcake Factory, 2015, etc.) short book, lavishly illustrated by Jacobus, gives readers dozens of lively, humorous glimpses into the always problematic dynamic between cats and their owners. Overall, the author enhances the immediacy of this account by casting many reflections here in the form of diary entries of both cat and man, and these are filled with a raucous humor that will make this short book enjoyable for cat owners everywhere. The interactions in these pages may be fanciful—humans and cats simply talk back and forth to one another, and there’s a buddy-movie vibe to the whole thing—but they’ll nevertheless be immediately recognizable to cat people specifically and pet owners in general. When the narrator, Human, asks his pet, Old Cat, “What are you going to do today? Why don’t you make yourself useful and find a part-time job or something?” many will nod knowingly when the feline replies, “Nah, I’m just gonna lie around, maybe lick myself. I’ll probably destroy some of your expensive furniture. Anyway, catch you later.” The book touches upon nearly every aspect of cat ownership, from the damage they do during their seemingly manic bursts of energy to their scattershot understanding of sanitation to their complete disregard for human privacy. The cat-as–alarm-clock, the cat-as-noisemaker, the cat-as–garbage-disposal—and, charmingly (though always with a cynical edge), the cat-as–friend-and-companion—are all brought to life in short scenes illustrated in either full-color images or energetic pen-and-ink drawings by Jacobus. Readers get a cat’s-eye perspective on everything from the pets’ wanderlust to their hatred of baths to their curious, and often repulsive, habit of presenting their owners with killed and mutilated animal corpses as presents. Both sides liberally express their exasperation (“Do you know what it's like as a single father raising a brat of a cat?” the human asks at one point), but there’s an undercurrent of grudging affection in these pages that will likewise strike cat owners as familiar.

A smart, sarcastic, illustrated look at the cat-keeping lifestyle.

Pub Date: March 18, 2016

ISBN: 978-1-5233-0730-2

Page Count: 38

Publisher: CreateSpace

Review Posted Online: May 19, 2016

Kirkus Reviews Issue: June 15, 2016

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Thoroughbreds and Virginia blue-bloods cavort, commit murder, and fall in love in Roberts's (Hidden Riches, 1994, etc.) latest romantic thriller — this one set in the world of championship horse racing. Rich, sheltered Kelsey Byden is recovering from a recent divorce when she receives a letter from her mother, Naomi, a woman she has believed dead for over 20 years. When Kelsey confronts her genteel English professor father, though, he sheepishly confesses that, no, her mother isn't dead; throughout Kelsey's childhood, she was doing time for the murder of her lover. Kelsey meets with Naomi and not only finds her quite charming, but the owner of Three Willows, one of the most splendid horse farms in Virginia. Kelsey is further intrigued when she meets Gabe Slater, a blue-eyed gambling man who owns a neighboring horse farm; when one of Gabe's horses is mated with Naomi's, nostrils flare, flanks quiver, and the romance is on. Since both Naomi and Gabe have horses entered in the Kentucky Derby, Kelsey is soon swept into the whirlwind of the Triple Crown, in spite of her family's objections to her reconciliation with the notorious Naomi. The rivalry between the two horse farms remains friendly, but other competitors — one of them is Gabe's father, a vicious alcoholic who resents his son's success — prove less scrupulous. Bodies, horse and human, start piling up, just as Kelsey decides to investigate the murky details of her mother's crime. Is it possible she was framed? The ground is thick with no-goods, including haughty patricians, disgruntled grooms, and jockeys with tragic pasts, but despite all the distractions, the identity of the true culprit behind the mayhem — past and present — remains fairly obvious. The plot lopes rather than races to the finish. Gambling metaphors abound, and sexual doings have a distinctly equine tone. But Roberts's style has a fresh, contemporary snap that gets the story past its own worst excesses.

Pub Date: June 13, 1995

ISBN: 0-399-14059-X

Page Count: 400

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1995

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