An absorbing, no-holds-barred entertainment-industry remembrance.
A reality-television insider tells all in this debut memoir.
The author, who uses the pseudonym DJ Cash Bar, was a camera operator, director of photography, and director for multiple unnamed reality television shows, including several Emmy Award winners and nominees. “Depending on the show’s popularity, I am the eyes for 15 million people, or 750,000 if it flops,” he writes. The book begins in 2007 (which he describes as “the Wild West days of reality TV”), recounting his experiences on a dating show filmed in the rural Midwest; it featured 10 cosmopolitan women competing to become engaged to a local farmer. The author’s descriptions of the outlandish scenarios of reality TV are matched only by his detailing of the shenanigans behind the scenes. While the filming of some shows were defined by monotony and boredom—one anecdote, for instance, features a paper airplane contest from the author’s hotel balcony—one show, he writes, “turn[ed] into a Caligula orgy.” The book compares the reality-show experience to the fabled rock-star life with its abundance of free food and sex, but also notes that TV people often remain in the same hotel for extended periods. Over the course of the book, the author introduces readers to a compelling array of characters, from a sex-crimes unit police officer from Broward County, Florida, to a jealous Hell’s Angels biker who fought crewmembers after his ex-wife flashed them in a bar. Multiple celebrities make cameos, including Donald Trump, who insisted on ignoring the help of an audio engineer and opted to mic himself, resulting in a “scratchy” recording. An admirer of Hunter S. Thompson, the author’s gonzo writing style effectively highlights the absurdity of his profession while celebrating the people backstage who make the television industry run. As such, the book’s narrative can be disorienting, eschewing chronological storytelling and dropping readers into events midscene, but this lively approach aptly fits its subject.
An absorbing, no-holds-barred entertainment-industry remembrance.Pub Date: Sept. 25, 2023
ISBN: 9798218253738
Page Count: 212
Publisher: N/A
Review Posted Online: Nov. 3, 2023
Review Program: Kirkus Indie
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.
The iconic model tells the story of her eventful life.
According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.
A juicy story with some truly crazy moments, yet Anderson's good heart shines through.Pub Date: Jan. 31, 2023
ISBN: 9780063226562
Page Count: 256
Publisher: Dey Street/HarperCollins
Review Posted Online: Dec. 5, 2022
Kirkus Reviews Issue: Jan. 1, 2023
SEEN & HEARD
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