Like many volumes on the groaning shelf of Orwelliana, this reads more like a conversation with fellow monomaniacs than...




Carping portrait of the English patron saint of left-wing anti-communism, by a biographer who displayed a lot more enthusiasm for Thackeray (2001).

Although Taylor writes that George Orwell (1903–50) “has obsessed me for the best part of a quarter of a century,” the principal sign of his obsession here is endless quibbling with other Orwell observers’ comments, which may or may not be familiar to readers of this work. Moreover, most of these comments are critical—Orwell was self-pitying, he was paranoid, he condescended to the working classes he professed to admire—and are refuted perfunctorily. (A particularly nasty diatribe from a Marxist guide to English literature is reprinted over three pages without any comment at all.) Certainly, in recent years much has come to light about the less attractive features of the author revered for his painfully honest scrutiny of socialism in The Road to Wigan Pier, his superb reporting from the front lines of the Spanish Civil War in Homage to Catalonia, and most of all for his scathing fictional depictions of totalitarianism, Animal Farm and 1984. But a biography ought to at least convey the qualities that made Orwell an increasingly important, controversial figure in English literary and political circles of the 1930s and ’40s. The account of his early years as the son of a British colonial official, a scholarship boy at Eton, and a policeman in Burma is similarly shaped by the desire to cut Orwell down to size; his later reminiscences of those days, Taylor informs us, were highly selective and crafted with an eye to political symbolism—not exactly unusual strategies in autobiographical writing. Impressionistic chapters on “Orwell’s face,” “Orwell’s voice” (horrors: he retained his upper-class accent), “Orwell’s things,” and on and on, do not further illuminate the personality of an admittedly reserved man who entirely fails to come to life in these pages.

Like many volumes on the groaning shelf of Orwelliana, this reads more like a conversation with fellow monomaniacs than something for the general public. (16 pp. b&w illustrations, not seen)

Pub Date: Sept. 3, 2003

ISBN: 0-8050-7473-2

Page Count: 464

Publisher: Henry Holt

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 1, 2003

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.


The debut memoir from the pop and fashion star.

Early on, Simpson describes the book she didn’t write: “a motivational manual telling you how to live your best life.” Though having committed to the lucrative deal years before, she “walked away,” fearing any sort of self-help advice she might give would be hypocritical. Outwardly, Simpson was at the peak of her success, with her fashion line generating “one billion dollars in annual sales.” However, anxiety was getting the better of her, and she admits she’d become a “feelings addict,” just needing “enough noise to distract me from the pain I’d been avoiding since childhood. The demons of traumatic abuse that refused to let me sleep at night—Tylenol PM at age twelve, red wine and Ambien as a grown, scared woman. Those same demons who perched on my shoulder, and when they saw a man as dark as them, leaned in to my ear to whisper, ‘Just give him your light. See if it saves him…’ ” On Halloween 2017, Simpson hit rock bottom, and, with the intervention of her devoted friends and husband, began to address her addictions and underlying fears. In this readable but overlong narrative, the author traces her childhood as a Baptist preacher’s daughter moving 18 times before she “hit fifth grade,” and follows her remarkable rise to fame as a singer. She reveals the psychological trauma resulting from years of sexual abuse by a family friend, experiences that drew her repeatedly into bad relationships with men, most publicly with ex-husband Nick Lachey. Admitting that she was attracted to the validating power of an audience, Simpson analyzes how her failings and triumphs have enabled her to take control of her life, even as she was hounded by the press and various music and movie executives about her weight. Simpson’s memoir contains plenty of personal and professional moments for fans to savor.

An eye-opening glimpse into the attempted self-unmaking of one of Hollywood’s most recognizable talents.

Pub Date: Feb. 4, 2020

ISBN: 978-0-06-289996-5

Page Count: 416

Publisher: Dey Street/HarperCollins

Review Posted Online: Feb. 16, 2020

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