Substantial and thoughtful, written with sympathy and affection. (16 pages b&w illustrations; 40 additional b&w...

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THACKERAY

THE LIFE OF A LITERARY MAN

A critic and novelist (English Settlement, not reviewed, etc.) examines the short, stressful life (1811–63) of the great Victorian writer.

An unabashed Thackeray fan, Taylor begins with the novelist’s death on Christmas Eve and informs us that 2,000 people attended the interment of a man whose prodigious output in periodicals and serial novels exceeded one million words between 1846 and 1850. (He also wrote up to 2,000 letters per year.) In a volume with a generous supply of illustrations (many by Thackeray himself, who had started out as the proverbial starving artist), the author traces the Thackeray family back to a band of Yorkshire yeomen. Later generations worked for the East India Company. (Returning to England from India, where he was born, the five-year-old Thackeray glimpsed Napoleon at St. Helena.) Taylor follows Thackeray through Charterhouse School, then to Cambridge (he left with substantial gambling debts but no degree). After struggling as an artist, Thackeray worked for various publications, most notably Punch, before he began writing novels. He married in 1836, but his wife suffered from mental illness and spent most of her adulthood in private care. Taylor describes keenly the competition between Thackeray and his principal rival, Charles Dickens; their fragile amity was shattered in the late 1850s when Thackeray sided with Dickens’s abandoned wife. (Dickens did write a generous testimonial in Cornhill, the monthly that Thackeray edited.) Taylor portrays Thackeray as a gentle giant (he was 6’3”) and as a man who loved his daughters (he shaved a moustache because it frightened them) and who wrote what Taylor considers the finest of all Victorian novels, Vanity Fair. As Peter Ackroyd did in Dickens (1990), Taylor employs his talents as a novelist to include scraps of invention (e.g., a death notice by George Eliot); he inserts, as well, a couple of discursive interludes. (Scholars, however, will find the notes insufficient and will rue the absence of a chronology and comprehensive list of Thackeray’s works.)

Substantial and thoughtful, written with sympathy and affection. (16 pages b&w illustrations; 40 additional b&w illustrations throughout)

Pub Date: Oct. 1, 2001

ISBN: 0-7867-0910-3

Page Count: 512

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 2001

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Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

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UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 6, 2015

Kirkus Reviews Issue: July 1, 2015

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