A series starter that trips across fantastic terrain with a human touch.
In this fantasy novel, a powerful magic wielder searches for his wife, who apparently left him for another man, as well as a villainous “voider” with similar powers.
Master Voider Democryos, nicknamed “Dem,” works out of the citadel for King Andrej X. He teaches talented pupils to use peach-pit–shaped voidstones, which allow one to see and manipulate matter in the “indivisible” realm (“Everything in our creation is built out of infinitesimal building blocks, called the indivisible”). One morning, Dem finds a letter from Lady Marine, his wife of five years, stating that their marriage is over. An investigation of her bedchamber reveals that she left in haste, likely with another man. Later, Dem and the king discuss the ongoing war with the Southern Kingdom. Andrej demands more voidstones and “voiders” with the skill to use them despite the scarcity of each. The king insists that a woman from his harem, Chimeline, must sleep with Dem. Instead, Chimeline and Dem go on a quest to find a hidden forest laboratory where Chimeline says that a mysterious voider conducted torturous experiments on her and other women. Also in the lab is an airship that’s designed to fly on principles that are known best to voiders. Dem and Chimeline take it south on a hunt for Marine and the rogue voider, little realizing that the voidstones’ true nature may change society forever. In this series opener, Wozniak (An Obliquity, 2017, etc.) straddles science fiction and fantasy while commendably exploring questions of spirituality. The effulgents, a religious sect who don’t believe in ownership or relationships, provide an energetic counterpoint to the materialism that’s thrown two kingdoms into war. Wozniak’s medieval world, as described, is a beautiful one; from the sky, it “looks like thousands of curved pieces of glass” covering everything “in blues and greens.” The book also wonderfully handles the notion of a preindustrial society discovering the atomic structure of nature. Yet the plot’s human elements—which include romance, drug addiction, and trust across philosophical lines—often shine brightest. Revelations and combat converge in the propulsive finale, and Wozniak’s strong imagination will rope fans in.
A series starter that trips across fantastic terrain with a human touch.Pub Date: Jan. 19, 2019
ISBN: 978-0-578-44715-5
Page Count: 577
Publisher: Time Tunnel Media
Review Posted Online: May 1, 2019
Kirkus Reviews Issue: June 15, 2019
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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