Following the stellar The Great American Dust Bowl (2013), Brown tells the story of Hurricane Katrina and its impact on New Orleans, beginning with “a swirl of unremarkable wind” in “early August, 2005” and ending with the observation that “By 2012, only 80 percent of New Orleans’s residents had returned.”
Artwork with the high quality of early Disney animation—strongly drawn figures against electrically charged watercolor backgrounds—seamlessly co-tells a dramatic tale with text that ranges from simple, factual sentences to quotations from an extensive collection of books and media. The text and artwork clearly reveal two separate but inextricably connected horrors: devastation caused by a high-category hurricane and the human responsibility that lay behind the nightmarish scenarios. The book is fast-paced and hard to put down, sequential panels used to perfect advantage. A couple is shown in rising water in their home, scratching a hole through their roof to safety. Later, a crowd of 15,000 waits, without supplies, in a fetid convention center, for impossibly slow help to arrive. “Mayor Nagin is never seen there.” The final frame of that series depicts a woman on her knees, crying out, “Help us!” In addition to quoting and contextualizing such now-infamous sayings as, “Brownie, you’re doing a heck of a job,” the book pays homage to the heroism of many, both professionals and volunteers.
An excellent chronicle of the tragedy for a broad audience; children, teens, and adults will all be moved. (source notes, bibliography) (Graphic nonfiction. 12 & up)Pub Date: Aug. 4, 2015
ISBN: 978-0-544-15777-4
Page Count: 96
Publisher: HMH Books
Review Posted Online: April 15, 2015
Kirkus Reviews Issue: May 1, 2015
Categories: GENERAL GRAPHIC NOVELS & COMICS | HISTORY | TEENS & YOUNG ADULT HISTORY
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A beautifully heart-wrenching graphic-novel adaptation of actor and activist Takei’s (Lions and Tigers and Bears, 2013, etc.) childhood experience of incarceration in a World War II camp for Japanese Americans.
Takei had not yet started school when he, his parents, and his younger siblings were forced to leave their home and report to the Santa Anita Racetrack for “processing and removal” due to President Franklin D. Roosevelt’s Executive Order 9066. The creators smoothly and cleverly embed the historical context within which Takei’s family’s story takes place, allowing readers to simultaneously experience the daily humiliations that they suffered in the camps while providing readers with a broader understanding of the federal legislation, lawsuits, and actions which led to and maintained this injustice. The heroes who fought against this and provided support to and within the Japanese American community, such as Fred Korematsu, the 442nd Regiment, Herbert Nicholson, and the ACLU’s Wayne Collins, are also highlighted, but the focus always remains on the many sacrifices that Takei’s parents made to ensure the safety and survival of their family while shielding their children from knowing the depths of the hatred they faced and danger they were in. The creators also highlight the dangerous parallels between the hate speech, stereotyping, and legislation used against Japanese Americans and the trajectory of current events. Delicate grayscale illustrations effectively convey the intense emotions and the stark living conditions.
A powerful reminder of a history that is all too timely today. (Graphic memoir. 14-adult)Pub Date: July 16, 2019
ISBN: 978-1-60309-450-4
Page Count: 208
Publisher: Top Shelf Books
Review Posted Online: Aug. 5, 2019
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The trials of a high school basketball team trying to clinch the state title and the graphic novelist chronicling them.
The Dragons, Bishop O’Dowd High School’s basketball team, have a promising lineup of players united by the same goal. Backed by Coach Lou Richie, an alumnus himself, this could be the season the Oakland, California, private Catholic school breaks their record. While Yang (Team Avatar Tales, 2019, etc.), a math teacher and former National Ambassador for Young People's Literature, is not particularly sporty, he is intrigued by the potential of this story and decides to focus his next graphic novel on the team’s ninth bid for the state championship. Yang seamlessly blends a portrait of the Dragons with the international history of basketball while also tying in his own career arc as a graphic novelist as he tries to balance family, teaching, and comics. Some panels directly address the creative process, such as those depicting an interaction between Yang and a Punjabi student regarding the way small visual details cue ethnicity in different ways. This creative combination of memoir and reportage elicits questions of storytelling, memory, and creative liberty as well as addressing issues of equity and race. The full-color illustrations are varied in layout, effectively conveying intense emotion and heart-stopping action on the court. Yang is Chinese American, Richie is black, and there is significant diversity among the team members.
A winner. (notes, bibliography) (Graphic nonfiction. 13-18)Pub Date: March 17, 2020
ISBN: 978-1-62672-079-4
Page Count: 448
Publisher: First Second
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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