DeLillo's fascination with conspiracy, apocalypse, and public events—tesselated from a hundred chips of separate, small human misery—turns to the Kennedy assassination almost inevitably. And with the style honed by his most recent novels, White Noise and The Names (which this book seems closest to), he is able to construct a half-speculation, half-tragedy very finely. Lee Harvey Oswald is, of course, the center, the Libra of the book—his scales tipped lifelong by ugliness, outsider-ness, a smothering mother, a desperate need to distinguish himself somehow. The ex-Marine who defected to Russia and returned (and yet who called himself a Marxist even more doggedly back in the States with his Russian wife) is, in DeLillo's version, the completely marginal man, utterly without qualities. Which makes him a too-good-to-be-true instrument for a plot by current and ex-CIA operatives (as well as by disgruntled Bay of Pigs veterans) to find someone to take a shot at President Kennedy. That the shot is supposed to miss (kill a Secret Service man at worst)—and that the furor resulting from it would then be pointed in Cuba's direction, as a Castro plot to kill Kennedy—gets quickly forgotten as the conspiracy begins to take on a life of its own: the multiple gunmen in place, Oswald as the gun they'll let the police find and do with as they will. As speculation, this is nothing new, but DeLillo's novelistic powers become very keen indeed, especially when forming scenes for the plotters. For them, ideology is more than slippery, it's of no-account: process is all—and yet everything is always at the lip of chaos. Oswald keeps slipping from their grasp, for instance, and real organization is an illusion. Brilliant interior monologues (with the exception of that of Oswald's mother, Marguerite, which is largely hokey and theatrical) suggest deep seriousness at the total whim of accident. DeLillo mars the book a little with overly portentous intellectual meditations (by one of the CIA operatives) on the nature of plots—murderous or fictional—and by Jack Ruby's hopelessly awkward Jewish-gangster manner of speaking. But these are flaw-specks in a book that is genuinely dread-filled—a story that everyone knows he doesn't really know, and which DeLillo worries, and prods, and deepens with sure artistry.
Pub Date: Aug. 15, 1988
ISBN: 0140156046
Page Count: -
Publisher: Viking
Review Posted Online: Sept. 22, 2011
Kirkus Reviews Issue: July 15, 1988
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
