This, on the other hand, is delightful light reading, and original sort of autobiography as well. Freeman, whose color drawings for Thurber's The White Deer and cartoons and humorous sketches for many periodicals are familiar to all, here tells his own success story. Beginning in Chula Vista, a place "designed for kids to stub their toes on", he dreamed of New York, while the daily round, under the aegis of his guardian, supplies material for humorous recall. Then he achieved his goal- New York. Earning a precarious living as a jazz band musician, he put himself through art school, and got his first big break with drawings sold to the Sunday theatre sections. Through this his life became entangled in theatre, and theatre personalities weave through the pages of his book, — Bette Davis, George Gershwin, Orson Welles. These side glances are neatly packaged, and at times the story has bubbling humor, at times nostalgia. Nor does it lack for incident and interest, crisp and breezy in style, with something of the Benchley type of humor. Good fun.
Pub Date: Nov. 16, 1949
ISBN: N/A
Page Count: -
Publisher: Rinehart
Review Posted Online: April 25, 2012
Kirkus Reviews Issue: Nov. 1, 1949
This frenetic ode to fatherhood is predictable fare but may please series fans.
It’s time to look for the elusive Daddysaurus.
In this latest installment in the seemingly never-ending series about a group of diverse kids attempting to trap mythical creatures, the youngsters are now on the lookout for a big mauve dinosaur with an emblazoned D on his stomach and a superhero cape. The fast-moving Daddysaurus is always on the go; he will be difficult to catch. Armed with blueprints of possible ideas, the kids decide which traps to set. As in previous works, ones of the sticky variety seem popular. They cover barbells with fly paper (Daddysaurus like to exercise) and spread glue on the handle of a shovel (Daddysaurus also likes to garden). One clever trick involves tempting Daddysaurus with a drawing of a hole, taped to the wall, because he fixes everything that breaks. Daddysaurus is certainly engaged in the children’s lives, not a workaholic or absent, but he does fall into some standard tropes associated with fathers. The rhyming quatrains stumble at times but for the most part bounce along. Overall, though, text and art feel somewhat formulaic and likely will tempt only devotees of the series. The final page of the book (after Daddysaurus is caught with love) has a space for readers to write a note or draw a picture of their own Daddysaurus. (This book was reviewed digitally.)
This frenetic ode to fatherhood is predictable fare but may please series fans. (Picture book. 4-8)Pub Date: April 1, 2023
ISBN: 978-1-72826-618-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 11, 2023
Kirkus Reviews Issue: Feb. 1, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Readers can still rely on this series to bring laughs.
The Heffley family’s house undergoes a disastrous attempt at home improvement.
When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.
Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)Pub Date: Nov. 5, 2019
ISBN: 978-1-4197-3903-3
Page Count: 224
Publisher: Amulet/Abrams
Review Posted Online: Nov. 18, 2019
SEEN & HEARD
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