Not as good as Teddy Bear (1954) but nevertheless quite a funny picture- book delineating that reluctance toward the first trip to the barber shop. Red headed Moppy's name suited him perfectly and he was quince contented keeping things that way, until one day he actually was mistaken for a mop. That turned the tables. "Mop" and "red" identifications throughout Don Freeman's black and pink-orange pictures add to the fun. Firm stitching.
Pub Date: Sept. 9, 1955
ISBN: 0140503269
Page Count: 42
Publisher: Viking
Review Posted Online: April 25, 2012
Kirkus Reviews Issue: Sept. 1, 1955
Desperation confused for hysterics.
Harris’ latest makes an urgent plea for somber reflection.
“Stop! Stop!! Stop!!!” Right from the get-go, readers are presented with three rules for reading this book (“Don’t look at this book!” “Do look at your listener!” “Get your listener to look at you!”). But the true lesson is in the title itself: If anyone listening to this book laughs, you have to start it all over. Challenge accepted? Good. Sheer frenetic energy propels what passes for a narrative as the book uses every trick up its sleeve to give kids the giggles. Silly names, ridiculous premises, and kooky art combine, all attempting some level of hilarity. Bloch’s art provides a visual cacophony of collaged elements, all jostling for the audience’s attention. Heavily influenced by similar fourth wall–busting titles like The Stinky Cheese Man and Other Fairly Stupid Tales (1992) by Jon Scieszka, illustrated by Lane Smith, and the more contemporary The Book With No Pictures (2014) by B.J. Novak, these attempts to win over readers and make them laugh will result in less giggles than one might imagine. In the end, the ultimate success of this book may rest less on the art or text and more on the strength of the reader’s presentation. (This book was reviewed digitally.)
Desperation confused for hysterics. (Picture book. 4-7)Pub Date: Sept. 27, 2022
ISBN: 978-0-316-42488-2
Page Count: 40
Publisher: Little, Brown
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A validating and breathtaking next chapter of a Mother Goose favorite.
Humpty Dumpty, classically portrayed as an egg, recounts what happened after he fell off the wall in Santat’s latest.
An avid ornithophile, Humpty had loved being atop a high wall to be close to the birds, but after his fall and reassembly by the king’s men, high places—even his lofted bed—become intolerable. As he puts it, “There were some parts that couldn’t be healed with bandages and glue.” Although fear bars Humpty from many of his passions, it is the birds he misses the most, and he painstakingly builds (after several papercut-punctuated attempts) a beautiful paper plane to fly among them. But when the plane lands on the very wall Humpty has so doggedly been avoiding, he faces the choice of continuing to follow his fear or to break free of it, which he does, going from cracked egg to powerful flight in a sequence of stunning spreads. Santat applies his considerable talent for intertwining visual and textual, whimsy and gravity to his consideration of trauma and the oft-overlooked importance of self-determined recovery. While this newest addition to Santat’s successes will inevitably (and deservedly) be lauded, younger readers may not notice the de-emphasis of an equally important part of recovery: that it is not compulsory—it is OK not to be OK.
A validating and breathtaking next chapter of a Mother Goose favorite. (Picture book. 4-8)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-682-6
Page Count: 45
Publisher: Roaring Brook Press
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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