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LILY FAIRCHILD

A long but intensely involving tale of a tempestuous life.

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A sprawling historical novel about one woman's life on the Canadian frontier.

Gutteridge’s novel centers on Lily Corcoran, whom readers meet as a young girl in 1845 in Ontario’sMoore Township. There, White settlers are still in the process of felling trees and displacing First Nations inhabitants in order to build farms, homesteads, and towns. As a young girl, Lily hears from an old First Nations elder that the world is rapidly changing: “Two days walk south of here and they say you’ll come to roads chopped through the bush, and White Mens drives his wagons on roads made of dead trees, and Chatham is bigger than ten Ojibwa villages.” Readers with some knowledge of 19th-century history will know some of the events that await young Lily,whose father calls her “Lady Fairchild,” and Gutteridge’s narrative proceeds at a steady pace to unfold that history. It follows Lily through many adventures, including her sometimes-fractious relationships with men (including three husbands), a world war, and countless smaller changes as her life moves through the early part of the 20th century. Even in Lily’s early childhood, she deals with her mother’s melancholia, the violence of slave hunters, and the dawning of her own young womanhood. She later lives with her fiercely independent Aunt Bridie, and over the course of hundreds of pages, readers meet her beloved husband Tom Marshall and her two boys, Robbie and Brad, and they experience touching interludes with her semiofficial foster son, Eddie. Her later years are buffeted by tragedies, but she retains the bright spirit of the young girl in the very first chapter.

Long-haul, multigenerational historical fiction such as this is often a victim of skewed perspective, as authors, deeply ensconced in often years of research, often overestimate how much detail their readers will want to endure. Gutteridge’s narrative is prodigiously researched (and includes a bibliography), but he never overloads his audience; instead, he seamlessly works the historical grounding into what is, first and foremost, an intensely personal story. The book’s large and varied cast is uniformly well drawn, but Lily towers over the rest; from her earliest scenes, she’s by far the most compelling figure in the narrative. Gutteridge believably and effectively captures her youthful exuberance, as well as her resilience, even in the face of a heartbreaking tragedy in the book’s final pages. He combines his character study with beautifully evocative prose; at one point, for instance, after sunset, “Lily was sure she could hear the River tuning up for its nightsong”; at another, a character’s skin is described as having “the pallor and touch of gray-white mushrooms too long in the rain.” Overall, the author does an excellent job of giving his narrative the feel of a life as it is lived. Readers of such books as Larry McMurtry’s Lonesome Dove (1985) or Anna Waldo’s Sacajawea (1978) will see a similar kind of storytelling here; it’s a difficult feat to manage, but Gutteridge does so.

A long but intensely involving tale of a tempestuous life.

Pub Date: Oct. 4, 2019

ISBN: 978-1-970160-69-7

Page Count: 414

Publisher: EC Publishing LLC

Review Posted Online: July 5, 2020

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  • New York Times Bestseller

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CIRCLE OF DAYS

Vintage Follett. His fans will be pleased.

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A dramatic, complex imagining of the origins of Stonehenge.

In about 2500 B.C.E. on the Great Plain, Seft and his family collect flints in a mine. He dislikes the work, and the motherless lad hates the abuse he gets from his father and brothers. He leaves them and arrives at a wooden monument where sacred events such as the Midsummer Rite take place. There are also circles of stones that help predict equinoxes, solstices, even eclipses. This is a world where the customary greeting is “May the Sun God smile on you,” and everyone is a year older on Midsummer Day. Except for a priestess or two, no one can count beyond fingers and toes—to indicate 30, they show both hands, point to both feet, then show both hands again. Casual sex is common, and sex between women is less common but not taboo. Joia, a young woman who becomes a priestess, wonders about her sexuality. After a fire destroys the Monument, she leads a bold effort to rebuild it in stone. To please the gods, they must haul 10 giant stones from distant Stony Valley. Of course neither machinery nor roads exist, so the difficulties are extraordinary. Although the project has its detractors, hundreds of able-bodied people are willing to help. Craftspeople known as cleverhands construct a sled and a road, and they make the rope to wrap around the stones. Many, many others pull. And pull. Meanwhile, the three principal groups—farmers, woodlanders, and herders—all have their separate interests. There is talk of war, which Joia has never seen in her lifetime. Soon it seems inevitable that the powerful farmers will not only start one but win it, unless heroes like Seft and Joia can come up with a creative plan. But there is also the matter of love for Joia in this well-plotted and well-told yarn. The story has a lot of characters from multiple tribes, and they can be hard to keep track of. A page in the front of the book listing who’s who would be helpful.

Vintage Follett. His fans will be pleased.

Pub Date: Sept. 23, 2025

ISBN: 9781538772775

Page Count: 704

Publisher: Grand Central Publishing

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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