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DANIEL SCRATCH

A STORY OF WITCHKIND

An engrossing, well-written, and original story; readers will be eager for the next installment.

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  • Kirkus Reviews'
    Best Books Of 2021

A teenage boy learns how to wield a powerful magical force in this fantasy novel, the first in Jones’ YA series.

Since he was 10, after his parents’ deaths, Daniel Scratch has lived alone in the once-grand old family house, looked after by brownie servants with occasional attention from his great-great-grandmother, who “declined to leave the house simply because she’d died.” Now, on Daniel’s 13th birthday, Grandmother summons him to her attic abode, where she informs the boy that he will be tested and take his place among other witchkind. He passes, but it turns out that he’s no ordinary witch. If he were, he’d attend a witchkind school for his education, but Daniel’s special abilities mean he must be apprenticed for personal instruction. The boy travels to a remote rock-bound islet and the Tower of Endings, where he meets Kirmin, an ebony-skinned woman of uncertain age to whom he gives his true name, Daniel Drake Teisejas. (The book seems to assume a White default since only Kirmin’s skin color is described.) His new mentor begins teaching Daniel about the history, philosophy, and practice of witchkind in eight Lessons over five years. He learns, for example, of the six Axes of Power, which correspond to the world’s wild energies, such as the sea, fire, and earth, and the seven Forms each axis possesses (Communication, Travel, Mind, Defense, Attack, Essence, and Calling). The Sixth Axis—Daniel’s—connects with “the power of Endings and Conclusions.” Unlike the other Axes, the Sixth Axis has only one adherent at a time. Between lessons, Daniel practices runes and spells while exploring the tower with its books, maps, and other amenities. By the end of his training, Daniel must use his powers to face a potentially world-destroying crisis that could break down the Veil between humans and witchkind.

Jones has written several SF novels; this is his first work of fantasy. This story may bear some resemblance to other novels about young people trained in magic powers. But Jones has created something new, compelling, beautifully written, and somewhat reminiscent of Ursula Le Guin’s A Wizard of Earthsea (1968). Daniel’s powers are well balanced by the loneliness of his isolated tower and his great responsibilities (an adherent of the Sixth Axis must serve as a judge for witchkind). Daniel’s appeal steadily increases thanks to his intelligence, thoughtfulness, and self-direction, as when he gives himself an exercise routine, growing stronger physically as well as magically. Though the novel includes a great deal of lore, the author handles its exposition gracefully, introducing new information naturally. Runes, a chief component in working magic, are also well integrated; their forms aren’t just arbitrary symbols, as with the communication rune that resembles an ear. Another nice touch is using Lithuanian for the language of witchkind—communicationis šnabždesys, for example—which to English speakers sounds and looks appropriately exotic.

An engrossing, well-written, and original story; readers will be eager for the next installment.

Pub Date: Aug. 1, 2020

ISBN: 978-1-953645-00-5

Page Count: 238

Publisher: Self

Review Posted Online: Oct. 22, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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EVERY EXQUISITE THING

An entertaining and atmospheric, though sometimes clumsy, exploration of the true cost of beauty.

In this retelling of a classic, a drama student’s obsession with beauty leads her down a dark—and possibly deadly—path.

Eighteen-year-old Penny Paxton is beginning her first year at Dorian Drama Academy in Edinburgh, Scotland, where she hopes to follow in her starlet mother’s footsteps—and earn the love that her mother has never seemed to offer. At Dorian, Penny is mentored by Royal Shakespeare Company legend Orlagh Camran, who makes her the compelling offer of a portrait by the Masked Painter, a mysterious artist with the ability to gift his subjects everlasting youth and beauty. But shortly after Penny’s portrait is complete, several of the Masked Painter’s subjects are found murdered. Fearing that she’s made a terrible mistake and may become the next victim, Penny, who’s gay, begins to investigate the murders with the help of an unlikely ally. As she attempts to uncover the truth surrounding the Masked Painter and the murders, she’s forced to reckon with her own toxic obsession with beauty. This chilling, atmospheric novel, inspired by The Picture of Dorian Gray, is entertaining and full of twists, though some of the reveals feel contrived and some questions are left unanswered. The plot unravels at a leisurely pace but eventually builds to an action-packed (if somewhat convoluted) conclusion. Most characters are cued white.

An entertaining and atmospheric, though sometimes clumsy, exploration of the true cost of beauty. (content note, author’s note, bonus scene) (Fantasy thriller. 14-18)

Pub Date: May 26, 2026

ISBN: 9781250346797

Page Count: 384

Publisher: Wednesday Books

Review Posted Online: March 9, 2026

Kirkus Reviews Issue: April 1, 2026

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ANYA'S GHOST

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...

A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.

Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set. 

In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)

Pub Date: June 7, 2011

ISBN: 978-1-59643-552-0

Page Count: 224

Publisher: First Second

Review Posted Online: April 18, 2011

Kirkus Reviews Issue: May 1, 2011

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