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CLARA THORN

THE WITCH THAT WAS FOUND

An animated, indelible cast drives this entertaining, otherworldly tale.

A teenager with a newfound ability finds a magical world that’s threatened in this YA fantasy.

Clara Thorn constantly feels that she doesn’t belong. As she and her parents move a lot, the 13-year-old girl has been changing schools without making any friends. Las Vegas is no different; copious bullies zero in on her, mocking her for such things as her family being “poor.” That’s why she’s surprised to see a trio of bullies on her side of Vegas—the less affluent residential neighborhoods. Clara follows them and stumbles into Underhill, a place outside the ordinary world where magical people live. The teen is later shocked to learn that her birthparents, who wielded magic, were forced to abandon her as a baby. As she’s now at the age when her own talents will surface, Clara starts to see magic in the form of floating, multicolored numbers and symbols. But things could go wrong if she doesn’t learn to control her powers, so she attends Liginbaum’s School for Witches in Underhill. Clara gains some friends, but even a magical world unfortunately has bullies. It’s likewise not immune to dangers, as someone seems to be targeting Borders, the hidden passageways between Underhill and the ordinary world. Outside of Underhill, paladins, or witch hunters, chase down magical people like Clara. But she and her friends suspect an individual right there in Underhill is working with paladins in a Borders scheme that may be harmful for everyone, including “Ordinaries” such as Clara’s beloved, adoptive parents.

Jones’ series opener brims with wonderful characters. Both sets of Clara’s parents are especially memorable. Her softhearted adoptive mother and father have raised her as their own daughter. Clara’s birthparents, paladin-battling “counter-hunters” who vanished 12 years ago, have become legendary in Underhill. While a school for magical youngsters has become a popular subgenre all its own, this novel unfolds as an engrossing mystery. For example, Clara and her pals, to unearth information on their suspect, scour a library for specifics on Underhill’s complex history. At the same time, Underhill teems with magicians who create fire or teleport as well as numerous otherworldly creatures, from wolflike beasts to Oilliphéist (lake dragons) and velvety direbunnies with pink noses and two rows of long, sharp fangs. Clara’s ability, meanwhile, is even greater than it initially seemed; she can “tweak” someone else’s magic and proves capable of much more as the story progresses. Her synesthesialike power showcases the author’s radiant prose: “Clara realized that the room—the very air—was filled with glowing equations—not the usual soft reds, blues, and greens she was used to seeing, but angry, bright primary colors muddied with brown and black.” Jones caps off this story with a special recipe for fizzycider, a fruity Underhill beverage, written for Ordinaries (no magic required). By the end, a few sequel-teasing mysteries linger, most notably an enigmatic, apparently formidable villain only mentioned in passing.

An animated, indelible cast drives this entertaining, otherworldly tale.

Pub Date: Sept. 30, 2022

ISBN: N/A

Page Count: 387

Publisher: Self

Review Posted Online: Sept. 7, 2022

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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POWERLESS

From the Powerless Trilogy series , Vol. 1

A lackluster and sometimes disturbing mishmash of overused tropes.

The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.

Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.

A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)

Pub Date: Nov. 7, 2023

ISBN: 9798987380406

Page Count: 538

Publisher: Simon & Schuster

Review Posted Online: Sept. 9, 2023

Kirkus Reviews Issue: Oct. 1, 2023

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