An animated, indelible cast drives this entertaining, otherworldly tale.
A teenager with a newfound ability finds a magical world that’s threatened in this YA fantasy.
Clara Thorn constantly feels that she doesn’t belong. As she and her parents move a lot, the 13-year-old girl has been changing schools without making any friends. Las Vegas is no different; copious bullies zero in on her, mocking her for such things as her family being “poor.” That’s why she’s surprised to see a trio of bullies on her side of Vegas—the less affluent residential neighborhoods. Clara follows them and stumbles into Underhill, a place outside the ordinary world where magical people live. The teen is later shocked to learn that her birthparents, who wielded magic, were forced to abandon her as a baby. As she’s now at the age when her own talents will surface, Clara starts to see magic in the form of floating, multicolored numbers and symbols. But things could go wrong if she doesn’t learn to control her powers, so she attends Liginbaum’s School for Witches in Underhill. Clara gains some friends, but even a magical world unfortunately has bullies. It’s likewise not immune to dangers, as someone seems to be targeting Borders, the hidden passageways between Underhill and the ordinary world. Outside of Underhill, paladins, or witch hunters, chase down magical people like Clara. But she and her friends suspect an individual right there in Underhill is working with paladins in a Borders scheme that may be harmful for everyone, including “Ordinaries” such as Clara’s beloved, adoptive parents.
Jones’ series opener brims with wonderful characters. Both sets of Clara’s parents are especially memorable. Her softhearted adoptive mother and father have raised her as their own daughter. Clara’s birthparents, paladin-battling “counter-hunters” who vanished 12 years ago, have become legendary in Underhill. While a school for magical youngsters has become a popular subgenre all its own, this novel unfolds as an engrossing mystery. For example, Clara and her pals, to unearth information on their suspect, scour a library for specifics on Underhill’s complex history. At the same time, Underhill teems with magicians who create fire or teleport as well as numerous otherworldly creatures, from wolflike beasts to Oilliphéist (lake dragons) and velvety direbunnies with pink noses and two rows of long, sharp fangs. Clara’s ability, meanwhile, is even greater than it initially seemed; she can “tweak” someone else’s magic and proves capable of much more as the story progresses. Her synesthesialike power showcases the author’s radiant prose: “Clara realized that the room—the very air—was filled with glowing equations—not the usual soft reds, blues, and greens she was used to seeing, but angry, bright primary colors muddied with brown and black.” Jones caps off this story with a special recipe for fizzycider, a fruity Underhill beverage, written for Ordinaries (no magic required). By the end, a few sequel-teasing mysteries linger, most notably an enigmatic, apparently formidable villain only mentioned in passing.
An animated, indelible cast drives this entertaining, otherworldly tale.Pub Date: Sept. 30, 2022
ISBN: N/A
Page Count: 387
Publisher: Self
Review Posted Online: Sept. 7, 2022
Review Program: Kirkus Indie
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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