by Don Kladstrup & Petie Kladstrup ‧ RELEASE DATE: May 15, 2001
An engrossing addition to the popular literature of WWII—and a treat for oenophiles as well.
Vin ordinaire goes to war—and lives to tell the tale.
Wine, observed a French vintner the year before Hitler came to power in neighboring Germany, “contributed to the French race by giving it wit, gaiety, and good taste, qualities which set it profoundly apart from people who drink a lot of beer.” The beer-guzzling Germans had a different view, and when the Nazis overran France in 1940 one of their first atrocities was the theft of huge quantities of fine wine, champagne, and brandy that they carted away for the enjoyment of the top brass back home (including the teetotaling Hitler, who added thousands of rare vintages to his cellar). The Kladstrups, husband-and-wife journalists who have long been residents of France, are a tad fuzzy on where the orders to loot the country’s wine cellars originated—here they point to Hitler (who “did not even like wine”), there to the connoisseurs Goering and Goebbels (who did)—and they do not satisfactorily explain how some German officers managed to ignore those orders while others obeyed them to the letter. Still, the anecdotes they gather from chats with surviving members of the Resistance and the wine trade (including heroic luminaries such as Bernard de Nonancourt and Gaston Huet) give a powerful account of the importance of wine to French culture—and of the lengths to which ordinary citizens went to keep extraordinary vintages out of the hands of the invaders. Some restaurateurs and collectors, they write, hurriedly built false walls to shield better bottles, leaving inferior wines exposed to view; others spiked cheap young wines with carpet dust to make them taste old, spiriting away the real goods to safety. In many instances, the Kladstrups add, sympathetic Germans played along with the ruse and protected rare vintages, but more often French citizens caught at such trickery paid with their lives. The authors’ narrative is assured, detailed, highly readable, and does honor to all those who labored to keep French wines from barbarous hands.
An engrossing addition to the popular literature of WWII—and a treat for oenophiles as well.Pub Date: May 15, 2001
ISBN: 0-7679-0447-8
Page Count: 256
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2001
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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