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WINE & WAR

THE FRENCH, THE NAZIS, AND THE BATTLE FOR FRANCE’S GREATEST TREASURE

An engrossing addition to the popular literature of WWII—and a treat for oenophiles as well.

Vin ordinaire goes to war—and lives to tell the tale.

Wine, observed a French vintner the year before Hitler came to power in neighboring Germany, “contributed to the French race by giving it wit, gaiety, and good taste, qualities which set it profoundly apart from people who drink a lot of beer.” The beer-guzzling Germans had a different view, and when the Nazis overran France in 1940 one of their first atrocities was the theft of huge quantities of fine wine, champagne, and brandy that they carted away for the enjoyment of the top brass back home (including the teetotaling Hitler, who added thousands of rare vintages to his cellar). The Kladstrups, husband-and-wife journalists who have long been residents of France, are a tad fuzzy on where the orders to loot the country’s wine cellars originated—here they point to Hitler (who “did not even like wine”), there to the connoisseurs Goering and Goebbels (who did)—and they do not satisfactorily explain how some German officers managed to ignore those orders while others obeyed them to the letter. Still, the anecdotes they gather from chats with surviving members of the Resistance and the wine trade (including heroic luminaries such as Bernard de Nonancourt and Gaston Huet) give a powerful account of the importance of wine to French culture—and of the lengths to which ordinary citizens went to keep extraordinary vintages out of the hands of the invaders. Some restaurateurs and collectors, they write, hurriedly built false walls to shield better bottles, leaving inferior wines exposed to view; others spiked cheap young wines with carpet dust to make them taste old, spiriting away the real goods to safety. In many instances, the Kladstrups add, sympathetic Germans played along with the ruse and protected rare vintages, but more often French citizens caught at such trickery paid with their lives. The authors’ narrative is assured, detailed, highly readable, and does honor to all those who labored to keep French wines from barbarous hands.

An engrossing addition to the popular literature of WWII—and a treat for oenophiles as well.

Pub Date: May 15, 2001

ISBN: 0-7679-0447-8

Page Count: 256

Publisher: Broadway

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2001

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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