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A Red Woman Was Crying

STORIES FROM NAGOVISI

A worthwhile read for aspiring ethnographers or readers interested in South Pacific culture.

This collection of short stories by anthropologist Mitchell provides a window into the culture of the Pacific Islands.

The Nagovisi people live in West-Central Bougainville Island, which is part of the Solomon Islands in terms of culture and ethnicity but is politically part of Papua New Guinea. Although the stories Mitchell presents are to be read as fiction rather than ethnography, they nevertheless offer a glimpse of a group of people and a way of living with which many readers are likely unfamiliar. The tales, which range in length from a single page to 50, display a variety of storytelling techniques. Some, such as “Crocodile Kills His Father” and the eponymous “A Red Woman Was Crying,” are takes on traditional folktales. In the former, after a woman named Sipita gives birth to the first crocodile, she hides him in a basket and warns her husband not to look inside, just as, say, Bluebeard warned his wife not to open the closet and Pandora was warned not to open her box. Some of the stories give a view of the larger Nagovisi culture and seem representative of what might be told to children, the equivalent of the Western tale of Mother Goose. Others have a more typical narrative structure and, rather than highlighting any sort of overarching mythology or belief system, serve to explicate aspects of day-to-day life in this culture. There’s much of interest here, particularly to readers with an anthropological bent, but even though Mitchell doesn’t aim for this to be an academic text, a little more context would be helpful. The collection would also read more smoothly if the folktales were presented in some kind of lucid order; as is, the contrasts in style can be abrupt and somewhat jarring.

A worthwhile read for aspiring ethnographers or readers interested in South Pacific culture.

Pub Date: July 11, 2013

ISBN: 978-0983307242

Page Count: 266

Publisher: Saddle Road Press

Review Posted Online: Jan. 25, 2014

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THE LAST DREAM

Sometimes surreal, sometimes prurient, sometimes discomfiting—and every page worth reading.

The noted Spanish director delivers a series of contes à clef, giving his merrily transgressive takes on life a good literary workout.

“This collection of stories (I call everything a story, I don’t distinguish between genres) demonstrates the intimate relationship between what I write, what I film, and what I live,” writes Almodóvar, the creator of films such as All About My Mother and Women on the Verge of a Nervous Breakdown. The declaration is a touch cryptic, but what follows is often strange and sometimes shocking, as with his opening story, “The Visit,” in which the putative sister of a man molested by priests in boyhood confronts one of them; he accuses her of dressing like a prostitute, to which she retorts, “I don’t particularly like the way you dress either.” For those who know Almodóvar’s films, the surprise ending won’t come entirely as a surprise. In another story, an actor, León, desperate for a project, contemplates a top-to-bottom rewriting of the classic L’Amore, Roberto Rossellini’s adaptation of a play by Jean Cocteau, its star the luminous Anna Magnani; in León’s vision, it will become a love story between men: “The lover is bisexual....Bisexuality is the great neglected topic of the sexual revolution.” It doesn’t play out. Perhaps the most eccentric tale portrays an aristocratic vampire who comes calling on, again, a priest whose blood flows after self-flagellation; says the vampire, who could have sunk his teeth into the scenario but professes no interest in “vampirizing,” “I am like your mystics; I like to be alone, left to follow my own devices and desires.” Jesus, Barabbas, the singer Chavela, Isabella and Ferdinand, and, yes, the vampire all show up in these oddly delightful stories, no one doing quite what they’re expected to do.

Sometimes surreal, sometimes prurient, sometimes discomfiting—and every page worth reading.

Pub Date: Sept. 24, 2024

ISBN: 9780063349766

Page Count: 240

Publisher: HarperVia

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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AN ELDERLY LADY MUST NOT BE CROSSED

STORIES

A guidebook to growing old without a single regret for victims who deserved just what they got.

Six more adventures of Maud, the retired language teacher who meets life’s vicissitudes with a refreshingly homicidal approach.

En route to a luxury vacation in South Africa, Maud recalls half a dozen earlier times when her generally untroubled life was threatened by someone who ended up coming to grief. “An Elderly Lady Begins To Remember Her Past” rehashes her latest foray into criminal violence and her satisfying escape from Tursten’s franchise detective, Inspector Irene Huss. “Little Maud Sets a Trap” takes her back to her childhood, when she sticks up for her neurasthenic older sister, Charlotte, by taking condign, though not yet murderous, revenge on the boys who’ve bullied her. “Lancing a Boil” shows how Maud, now a substitute teacher, deals with her demotion when the regular teacher she’s replaced seeks to return to the classroom. “The Truth About Charlotte” recalls Charlotte’s sad demise, which leaves Maud much wealthier and freer to accrue an even larger income and begin her world travels. Maud smartly relieves her longtime neighbor, seamstress Elsa Petrén, of the problems her wastrel son has stuck her with in “The Peter Pan Problem.” And when she finally arrives at her destination in “An Elderly Lady Takes a Trip to Africa,” the longest and most deliberately plotted of these stories, she gets to display an unaccustomed generosity, even magnanimity, to an impoverished family brought even lower by a crime Maud is more than happy to avenge. Readers may want to think twice before sampling the appended naughty-and-nice cookie recipes.

A guidebook to growing old without a single regret for victims who deserved just what they got.

Pub Date: Oct. 5, 2021

ISBN: 978-1-641-29167-5

Page Count: 272

Publisher: Soho Crime

Review Posted Online: June 28, 2021

Kirkus Reviews Issue: July 15, 2021

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