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ALL WE SHALL KNOW

Emotionally intense, deeply engaging, and profound.

Set in contemporary Ireland, this is a novel of self-sacrifice, penance, and circumscribed possibilities for happiness, narrated with great compassion and written with elegant lyricism.

At the age of 33, Melody Shee finds herself pregnant and under a moral cloud. The father of her child is not Pat, her husband of a decade, but rather Martin Toppy, a 17-year-old she had been tutoring. Martin is a Traveller, a member of an ethnic group similar to though distinct from the Roma, and the Traveller subculture plays a major and fascinating role in the novel. Travellers tend to set themselves apart from the larger community, and their children are often not integrated into the educational system—hence the need for people like Melody who can tutor them. Enraged by Melody's infidelity, not least because their own relationship had yielded only miscarriages, Pat leaves home, and Martin soon disappears as well. Ryan structures each chapter as a week in Melody’s pregnancy, beginning with week 12 and ending with the birth of her son and a postpartum grace note. Melody narrates the novel, and her consciousness is at its core as she moves from despair and suicidal thoughts to guilt and the need for penance to self-acceptance and a willingness to put others’ needs ahead of her own. Desperate for emotional support during this grueling time, Melody turns to Mary Crothery, a young Traveller woman with whom she develops an intense and quasi-romantic relationship. Mary and her family are deeply involved in Traveller power struggles, and her engagement in these affairs results in violence and blood vengeance. Throughout the term of Melody’s pregnancy, Mary remains stalwart, and having her nearby gives Melody someone to care for. Mary's presence also gives Melody an opportunity for a form of displaced penance for something that happened when she was a teenager. We learn through flashbacks that Melody’s best friend, Breedie Flynn, committed suicide when Melody and others turned against her during a volatile time, and Melody hopes to atone for her mistreatment of Breedie by nurturing Mary.

Emotionally intense, deeply engaging, and profound.

Pub Date: July 4, 2017

ISBN: 978-0-14-313104-5

Page Count: 192

Publisher: Penguin

Review Posted Online: May 1, 2017

Kirkus Reviews Issue: May 15, 2017

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CIRCE

Miller makes Homer pertinent to women facing 21st-century monsters.

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A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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