Cunningly written, the novel gives us a glimpse into the underside of modern Irish life.
Hapless Johnsey Cunliffe lurches through life in contemporary Ireland, experiencing the deaths of his parents and facing an uncertain future.
Ryan structures the novel in 12 chapters, each set in a different month and collectively taking us through a calendar year in Johnsey’s life. Most months start with a short reminiscence about his late father, who had lots of homely wisdom and observations about the changing seasons. Johnsey has a dead-end job at a local co-op, loading supplies and working at the sufferance of Packie Collins, who hired him as a favor but rails against his general uselessness. To make life even worse, on the way home from work each day, Johnsey is tormented by Eugene Penrose and his thug friends. Life begins to change for Johnsey in February when his mother dies, and in April (after all, the cruelest month), Eugene viciously attacks Johnsey, so much so that he lands in the hospital for a period of several weeks, blind and with broken bones. There, he meets a nurse he at first knows only as “Lovely Voice” and a fellow patient called Mumbly Dave, whose jaw has been temporarily wired shut. These two new acquaintances have a profound effect on Johnsey’s life, even after he recovers his sight and gets out of the hospital. He finds out the nurse’s name is Siobhán, and she begins to visit him (as does Mumbly Dave) at his home. The local council’s change in zoning laws makes the poor farm Johnsey inherited extremely valuable, and Mumbly Dave and Siobhán begin to feud over the most appropriate disposition of Johnsey’s property.
Cunningly written, the novel gives us a glimpse into the underside of modern Irish life.Pub Date: Aug. 26, 2014
ISBN: 978-1-58642-228-8
Page Count: 208
Publisher: Steerforth
Review Posted Online: June 28, 2014
Kirkus Reviews Issue: July 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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