Flawed but still head-and-shoulders above most film bios, a life of the Italian actor that focuses largely on his art but that soft-peddles the nitty-gritty of everyday life. Dewey wrote the novel Reasonable Doubts (1991). Mastroianni, born in 1924 in a small town 50 miles south of Rome, herein speaks with considerable self-understanding and depth whenever Dewey quotes him from interviews over the decades—quotes that make up about a third of the text. The actor has played leading men in nearly 140 European movies, involving himself in such a variety of roles that Europeans broadly see him as the greatest living actor—and from this rehearsal of Mastroianni's talents, the Europeans may be right. He has consistently, until 1990, refused to play in Hollywood films, in part because the Hollywood scripts sent to him always called for him to be a Latin lover. His one American film, last year's Used People, which allowed him to play with Shirley MacLaine, Jessica Tandy, and Kathy Bates, failed at the box office and his personal reviews in it weren't much better. Dewey follows the hero's passage from early triumphs on the Italian stage through his smaller roles in his first 15 films, then into his hits, Big Deal on Madonna Street, La Dolce Vita, and Divorce, Italian Style, and his friendship with Federico Fellini, whom he ``played'' in Fellini's semiautobiographical 8-´. The actor in no way sees himself as a great lover and admits to experiencing trouble ``down there'' (a passing impotence). Even so, his 40-year marriage to Flora Carabella has survived affairs with Faye Dunaway, Catherine Deneuve (with whom he has a daughter), and others in his search for the ideal woman—who usually turns out to be the worst. Intermittent stops for Dewey's head-stuff on Mastroianni's art or character sometimes inspire but can also bog down. Overall, though, a generally well-told life. (Photos)
Pub Date: July 1, 1993
ISBN: 1-55972-158-8
Page Count: 320
Publisher: Birch Lane Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1993
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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