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SUPREME CITY

HOW JAZZ AGE MANHATTAN GAVE BIRTH TO MODERN AMERICA

A scholarly enough social history but one with plenty of sex appeal.

An award-winning historian surveys the astonishing cast of characters who helped turn Manhattan into the world capital of commerce, communication and entertainment.

Except for occasional geographic detours to Harlem for the Cotton Club or the Bronx for Yankee Stadium, and a couple of temporal departures that highlight, for example, the completion of Grand Central Terminal or the opening of the George Washington Bridge, Miller (History/Lafayette Coll.; Masters of the Air: America’s Bomber Boys Who Fought the Air War Against Nazi Germany, 2006, etc.) confines his story to Midtown Manhattan and the 1920s. Even with these self-imposed boundaries, the narrative bursts with a dizzying succession of tales about the politicos, impresarios, merchants, sportsmen, performers, gangsters and hustlers who accounted for an unprecedented burst of creativity and achievement. Readers with even a passing acquaintance with Jazz Age New York will recognize many of Miller’s characters—Mayor Jimmy Walker, Babe Ruth, Charles Lindbergh, Duke Ellington, Jack Dempsey, Walter Chrysler, David Sarnoff, Florenz Ziegfeld—but how many know the story of Othmar Ammann, perhaps history’s greatest designer of steel bridges? Or bootlegger Owney Madden, model for his friend George Raft’s silver-screen gangster? Or Lois Long, hard-living fashion editor for Harold Ross’ New Yorker? Or boxing promoter Tex Rickard, first to recognize that each fight required an intriguing narrative to build box office sales? Or the charismatic Horace Liveright, who thought of each book he published as an event? How the speak-easies hummed and how Prohibition democratized drinking, how cosmetics queens (and mortal enemies) Helena Rubenstein and Elizabeth Arden blazed new paths for women, how Bergdorf Goodman and Saks Fifth Avenue became fashion meccas, how “mansions in the sky” blossomed all over the city—all this and much more cram Miller’s sprightly narrative about a city so convinced of its centrality as to employ an “official greeter.”

A scholarly enough social history but one with plenty of sex appeal.

Pub Date: May 6, 2014

ISBN: 978-1-4165-5019-8

Page Count: 672

Publisher: Simon & Schuster

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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