Sixteen thoughtful essays that examine the present and future implications of America's past relationship to the land—and that draw, as Worster (American History/University of Kansas; Rivers of Empire, 1986, etc.) puts it, a ``picture of the human past that is radically unlike anything you will find in the standard undergraduate history textbooks.'' In these pieces (some of which appeared originally in academic journals and books), Worster speaks with awe of the ``search to discover a less reductive, less ecologically and spiritually nihilistic, less grasping kind of materialism.'' In this spirit, reminiscent of Thoreau and Joseph Wood Krutch (one of the author's early inspirations), Worster sounds deeply skeptical over the prospect that a market economy can ever be compatible with responsible stewardship of this country's natural resources: His own preference is for an environmentalism ``that talks about ethics and aesthetics rather than about resources and economics.'' Not surprisingly, given these views, Worster throws a wet rag over the concept of ``sustained development''; hails an American conservation revolution that views the land as an interdependent ecosystem; and calls for an end to all federal subsidies of western irrigation projects. As an alternative to federal and state management of resources, he speaks eloquently about individual responsibility for the environment. And when he's not warning about our current encroachments on nature, Worster can be especially illuminating about how the environment has affected our past- -pointing, for example, to the Midwest's overemphasis on wheat- growing as a cause of the Dust Bowl crisis of the 1930's; discussing the 1935 Soil Erosion Act, the first comprehensive legislation to preserve the lifeblood of American agriculture; and carefully tracing the evangelical fervor of America's greatest environmentalists to the dissident and missionary spirit of Protestantism. Probably too pessimistic on reconciling conservation with a market economy, but informed and lucid about how we've lost ground in the fight to save our natural resources.
Pub Date: May 1, 1993
ISBN: 0-19-507624-9
Page Count: 304
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1993
BOOK REVIEW
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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