A blithe wartime comedy.
In Ziebell’s (Gorky, Russia; First Man In, 2017, etc.) lighthearted novel, a skilled World War II waist gunner, when not in combat, spins tales of his family and youth.
Boe Klein is 18 years old when the U.S. government drafts him into the Army in 1942. He leaves his Tennessee home for boot camp and, later, gunnery training camp. He’s an adept marksman, having honed his ability under the tutelage of his father. Boe soon begins regular combat missions aboard a B-24 bomber in “an unnamed country.” As a waist gunner who has to defend his plane against enemy fire, he quickly earns the respect of officers and fellow airmen alike. He also gets a nickname, Click-Click, derived from his response to a bomber captain’s gunner roll call. Click-Click is, moreover, a frequent storyteller, describing how he once witnessed an aunt and uncle’s rather unusual feud and recounting tales like that of his grandfather’s “planting” chickens to grow more of them when the older man was a boy. His adventures continue in the Army, even during downtime or a furlough. In one instance, his assisting 1st Lt. Jean M. Klin leads to a dinner invitation, to which Click-Click can only respond after learning what RSVP means. Ziebell, who’s previously written nonfiction, pens a surprisingly upbeat war story. While the combat missions are unmistakably dangerous, the narrative concentrates on humorous moments. For example, one soldier reacts to a traumatic near-death experience by speaking backward, which is apparently subconscious. Combat is likewise the only indication of violence, which the novel tones down with a faceless, nameless “enemy” that never explicitly dies. Ziebell’s straightforward prose prompts a number of genuinely funny scenes and a few suspenseful ones, too, as when Click-Click undergoes a top-secret mission. However, the protagonist’s potential romance with neighbor Cutie (whom readers hardly see) is underdeveloped. Wilding’s black-and-white artwork rounds out the book: simple, bold-lined renderings primarily of the story’s most amusing bits, such as an exploding can of spaghetti.
A blithe wartime comedy.Pub Date: June 24, 2019
ISBN: 978-1-973665-66-3
Page Count: 154
Publisher: Westbow Press
Review Posted Online: Jan. 28, 2020
Review Program: Kirkus Indie
These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.
Pub Date: Jan. 1, 1942
ISBN: 0060652934
Page Count: 53
Publisher: Macmillan
Review Posted Online: Oct. 17, 2011
Kirkus Reviews Issue: June 15, 1943
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.
Hunter’s debut novel tracks the experiences of her family members during the Holocaust.
Sol and Nechuma Kurc, wealthy, cultured Jews in Radom, Poland, are successful shop owners; they and their grown children live a comfortable lifestyle. But that lifestyle is no protection against the onslaught of the Holocaust, which eventually scatters the members of the Kurc family among several continents. Genek, the oldest son, is exiled with his wife to a Siberian gulag. Halina, youngest of all the children, works to protect her family alongside her resistance-fighter husband. Addy, middle child, a composer and engineer before the war breaks out, leaves Europe on one of the last passenger ships, ending up thousands of miles away. Then, too, there are Mila and Felicia, Jakob and Bella, each with their own share of struggles—pain endured, horrors witnessed. Hunter conducted extensive research after learning that her grandfather (Addy in the book) survived the Holocaust. The research shows: her novel is thorough and precise in its details. It’s less precise in its language, however, which frequently relies on cliché. “You’ll get only one shot at this,” Halina thinks, enacting a plan to save her husband. “Don’t botch it.” Later, Genek, confronting a routine bit of paperwork, must decide whether or not to hide his Jewishness. “That form is a deal breaker,” he tells himself. “It’s life and death.” And: “They are low, it seems, on good fortune. And something tells him they’ll need it.” Worse than these stale phrases, though, are the moments when Hunter’s writing is entirely inadequate for the subject matter at hand. Genek, describing the gulag, calls the nearest town “a total shitscape.” This is a low point for Hunter’s writing; elsewhere in the novel, it’s stronger. Still, the characters remain flat and unknowable, while the novel itself is predictable. At this point, more than half a century’s worth of fiction and film has been inspired by the Holocaust—a weighty and imposing tradition. Hunter, it seems, hasn’t been able to break free from her dependence on it.
Too beholden to sentimentality and cliché, this novel fails to establish a uniquely realized perspective.Pub Date: Feb. 14, 2017
ISBN: 978-0-399-56308-9
Page Count: 416
Publisher: Viking
Review Posted Online: Nov. 21, 2016
Kirkus Reviews Issue: Dec. 1, 2016
BOOK TO SCREEN
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