An artistic, sympathetic imagining of the life of a 19th-century woman who made headlines for all the wrong reasons.
A historical novel that draws on the real life of Elizabeth “Baby Doe” Tabor, the second wife of a Colorado silver baron.
Raised in the mid-1800s as a Catholic, Lizzie McCourt commits the first of many indiscretions in her life by marrying a Protestant man, Harvey Doe. After a brief marriage, his erratic temperament and addiction to morphine, alcohol, and brothels leads Lizzie to file for divorce—a rare practice at the time, thought by many to be immoral, no matter the justification. This brings shame upon her family and forces her to leave the church. After finding a job at a Colorado silver mine, she promptly falls for Horace Tabor, a wealthy business owner who happens to be significantly older—and already married. She finds love and companionship with him, although the circumstances surrounding their union only leads to further scandal in their small, pious town. Baier Stein (Sympathetic People, 2013, etc.) artfully intertwines her story with some of the real-life Lizzie’s own journal writings, and the author pays tribute to her protagonist by emulating and maintaining the tone of these entries. In doing so, she authentically constructs a complex, compassionate character whose actions readers will support and celebrate. Lizzie’s choices, especially when she ends a doomed marriage, help to show her as a woman who was ahead of her time and worthy of admiration. The book is well-researched in every facet, from its antiquated yet very readable language to its geographical and historical accuracy. Although Baier Stein glosses over some of Lizzie’s inner turmoil, she still shows her to be deliberate in her actions, reflective, and unapologetic. However, although the majority of the narrative is well-paced and engaging, some resolutions seemed rushed.
An artistic, sympathetic imagining of the life of a 19th-century woman who made headlines for all the wrong reasons.Pub Date: Sept. 15, 2016
ISBN: 978-0-9971010-6-5
Page Count: 224
Publisher: Serving House Books
Review Posted Online: Oct. 6, 2016
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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