by Donna Baier Stein ‧ RELEASE DATE: Sept. 15, 2016
An artistic, sympathetic imagining of the life of a 19th-century woman who made headlines for all the wrong reasons.
A historical novel that draws on the real life of Elizabeth “Baby Doe” Tabor, the second wife of a Colorado silver baron.
Raised in the mid-1800s as a Catholic, Lizzie McCourt commits the first of many indiscretions in her life by marrying a Protestant man, Harvey Doe. After a brief marriage, his erratic temperament and addiction to morphine, alcohol, and brothels leads Lizzie to file for divorce—a rare practice at the time, thought by many to be immoral, no matter the justification. This brings shame upon her family and forces her to leave the church. After finding a job at a Colorado silver mine, she promptly falls for Horace Tabor, a wealthy business owner who happens to be significantly older—and already married. She finds love and companionship with him, although the circumstances surrounding their union only leads to further scandal in their small, pious town. Baier Stein (Sympathetic People, 2013, etc.) artfully intertwines her story with some of the real-life Lizzie’s own journal writings, and the author pays tribute to her protagonist by emulating and maintaining the tone of these entries. In doing so, she authentically constructs a complex, compassionate character whose actions readers will support and celebrate. Lizzie’s choices, especially when she ends a doomed marriage, help to show her as a woman who was ahead of her time and worthy of admiration. The book is well-researched in every facet, from its antiquated yet very readable language to its geographical and historical accuracy. Although Baier Stein glosses over some of Lizzie’s inner turmoil, she still shows her to be deliberate in her actions, reflective, and unapologetic. However, although the majority of the narrative is well-paced and engaging, some resolutions seemed rushed.
An artistic, sympathetic imagining of the life of a 19th-century woman who made headlines for all the wrong reasons.Pub Date: Sept. 15, 2016
ISBN: 978-0-9971010-6-5
Page Count: 224
Publisher: Serving House Books
Review Posted Online: Oct. 6, 2016
Review Program: Kirkus Indie
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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