The author of The Prince in the Pond (1992) leaps from that comic take on "The Frog Prince" to a dark, deeply thoughtful novel whose gifted, driven, and wholly sympathetic protagonist is Hansel and Gretel's witch. The hunchback known as "Ugly One" is a midwife who becomes a healer when she learns to draw, with a blessed object, a magic circle that cannot be invaded by the devil's minions; from safely within it, she can command them to leave their victims. But the demons eventually trick her with a ring she hopes to give her beloved daughter, now of an age to marry. Now the sorceress who has commanded devils becomes a witch subject to their demands; still, with great care, she avoids the potent temptation to devour a child, which would complete her damnation. Hansel and Gretel's arrival, in the novel's last pages, is a cruel test; with extraordinary artistry, Napoli shapes a conclusion in which the witch finds redemption by collaborating with a clever Gretel, who senses the meaning of her fiery death. Writing in a beautifully honed first-person present and summoning splendid imagery well grounded in folklore, psychology, and the natural world, Napoli delves into the mind and heart of a fascinating figure embodying Faust and Marguerite in one—a nurturer and lover of true beauty whose inner being is never truly corrupted by the dangerous knowledge she dares to exert on others' behalf. Richly poetic yet accessible and immediate; pungent and wise; mesmerizing. Splendid jacket by the Dillons. (Fiction. 11+)
Pub Date: June 1, 1993
ISBN: 0-525-45127-7
Page Count: 118
Publisher: Dutton
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 15, 1993
An entertaining and atmospheric, though sometimes clumsy, exploration of the true cost of beauty.
In this retelling of a classic, a drama student’s obsession with beauty leads her down a dark—and possibly deadly—path.
Eighteen-year-old Penny Paxton is beginning her first year at Dorian Drama Academy in Edinburgh, Scotland, where she hopes to follow in her starlet mother’s footsteps—and earn the love that her mother has never seemed to offer. At Dorian, Penny is mentored by Royal Shakespeare Company legend Orlagh Camran, who makes her the compelling offer of a portrait by the Masked Painter, a mysterious artist with the ability to gift his subjects everlasting youth and beauty. But shortly after Penny’s portrait is complete, several of the Masked Painter’s subjects are found murdered. Fearing that she’s made a terrible mistake and may become the next victim, Penny, who’s gay, begins to investigate the murders with the help of an unlikely ally. As she attempts to uncover the truth surrounding the Masked Painter and the murders, she’s forced to reckon with her own toxic obsession with beauty. This chilling, atmospheric novel, inspired by The Picture of Dorian Gray, is entertaining and full of twists, though some of the reveals feel contrived and some questions are left unanswered. The plot unravels at a leisurely pace but eventually builds to an action-packed (if somewhat convoluted) conclusion. Most characters are cued white.
An entertaining and atmospheric, though sometimes clumsy, exploration of the true cost of beauty. (content note, author’s note, bonus scene) (Fantasy thriller. 14-18)Pub Date: May 26, 2026
ISBN: 9781250346797
Page Count: 384
Publisher: Wednesday Books
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly...
In a radical departure from her realistic fiction and comic chronicles of Anastasia, Lowry creates a chilling, tightly controlled future society where all controversy, pain, and choice have been expunged, each childhood year has its privileges and responsibilities, and family members are selected for compatibility.
As Jonas approaches the "Ceremony of Twelve," he wonders what his adult "Assignment" will be. Father, a "Nurturer," cares for "newchildren"; Mother works in the "Department of Justice"; but Jonas's admitted talents suggest no particular calling. In the event, he is named "Receiver," to replace an Elder with a unique function: holding the community's memories—painful, troubling, or prone to lead (like love) to disorder; the Elder ("The Giver") now begins to transfer these memories to Jonas. The process is deeply disturbing; for the first time, Jonas learns about ordinary things like color, the sun, snow, and mountains, as well as love, war, and death: the ceremony known as "release" is revealed to be murder. Horrified, Jonas plots escape to "Elsewhere," a step he believes will return the memories to all the people, but his timing is upset by a decision to release a newchild he has come to love. Ill-equipped, Jonas sets out with the baby on a desperate journey whose enigmatic conclusion resonates with allegory: Jonas may be a Christ figure, but the contrasts here with Christian symbols are also intriguing.
Wrought with admirable skill—the emptiness and menace underlying this Utopia emerge step by inexorable step: a richly provocative novel. (Fiction. 12-16)Pub Date: April 1, 1993
ISBN: 978-0-395-64566-6
Page Count: 208
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
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