The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Wonderful fun and very moving: it’s a pleasure to see this talented writer back on form.
After two self-indulgent detours, Atkinson proves that her Whitbread Award–winning debut, Behind the Scenes at the Museum (1996), was no fluke with a novel about three interconnected mysteries.
They seem totally unrelated at first to private detective Jackson Brodie, hired by separate individuals in Cambridge, England, to investigate long-dormant cases. Three-year-old Olivia Land disappeared from a tent in her family’s backyard in 1970; 34 years later, her sisters Amelia and Julia discover Olivia’s stuffed toy in their recently deceased father’s study and want Jackson to find out what he had to do with the disappearance. Theo Wyre’s beloved 18-year-old daughter Laura was murdered by a knife-wielding lunatic in 1994, and he too hires Jackson to crack this unsolved murder. Michelle was also 18 when she went to jail in 1979 for killing her husband with an ax while their infant daughter wailed in the playpen; she vanished after serving her time, but Shirley Morrison asks Jackson to find, not her sister Michelle, but the niece she promised to raise, then was forced to hand over to grandparents. The detective, whose bitter ex-wife uses Jackson’s profound love for their eight-year-old daughter to torture him, finds all these stories of dead and/or missing girls extremely unsettling; we learn toward the end why the subject of young women in peril is particularly painful for him. Atkinson has always been a gripping storyteller, and her complicated narrative crackles with the earthy humor, vibrant characterizations, and shrewd social observations that enlivened her first novel but were largely swamped by postmodern game-playing in Human Croquet (1997) and Emotionally Weird (2000). Here, she crafts a compulsive page-turner that looks deep into the heart of sadness, cruelty, and loss, yet ultimately grants her charming p.i. (and most of the other appealingly offbeat characters, including one killer) a chance at happiness and some measure of reconciliation with the past.
Wonderful fun and very moving: it’s a pleasure to see this talented writer back on form.Pub Date: Nov. 9, 2004
ISBN: 0-316-74040-3
Page Count: 320
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2004
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An engaging and suspenseful look at how the patriarchy shaped women’s lives in the 1950s and continues to do so today.
A wife in 2018 discovers letters and a cookbook from her house’s previous inhabitant—and realizes that their lives might not be so different.
Alice Hale doesn’t want to move from her tiny Manhattan apartment to a fixer-upper in the suburbs. But her husband has long wanted to move out of the city, and Alice, recently out of a job, feels like she doesn’t have a reason to say no. The free time may even give her more of a chance to start her novel-writing career. But when Alice discovers a cookbook and letters left behind by the house’s previous owner, Nellie Murdoch, she gets more inspiration than she bargained for. Alice pores over Nellie’s letters to her mother (mysteriously never mailed) to learn the minutiae of her life as a slightly bored housewife—the cooking, cleaning, and Tupperware parties. Alice even enjoys testing out the cookbook, making vintage recipes like Baked Alaska. But as readers see in chapters from Nellie’s point of view, her life wasn’t just a parade of fancy desserts and dinner parties—she was harshly controlled by her cruel and physically abusive husband. Nellie spent as much time hiding her bruises as she did making a home, being sure to keep the sordid details of her life a secret. Meanwhile, Alice is keeping a few secrets of her own from her husband. He doesn’t know that she was really fired from her last job or that she has no desire to get pregnant with the child he wants to have immediately. But as Nellie gains the courage to take control of her life, so does Alice—even if both of them might have to resort to dramatic measures. Brown (The Life Lucy Knew, 2018, etc.) skillfully alternates between Alice’s modern world and Nellie’s in the 1950s. With plentiful historical details (including recipes and depressingly hilarious marriage advice), the pages devoted to Nellie come to life. As both women both start to feel even more stifled in their marriages, Brown ratchets up the tension and pulls off a surprising—but satisfying—ending.
An engaging and suspenseful look at how the patriarchy shaped women’s lives in the 1950s and continues to do so today.Pub Date: Jan. 21, 2020
ISBN: 978-1-5247-4493-9
Page Count: 336
Publisher: Dutton
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
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