These stories about remarkable women deliver an elegant blend of history and art.
A collection of novellas offers three tales drawn from the rich soil of Jewish history.
This book finds its origin in a handful of artifacts: a pair of letters from medieval Europe, a stone inscription from imperial Rome, and an assortment of papyri from ancient Egypt. These treasures bear traces of the lives of a trio of extraordinary women: a convert to Judaism forced to carry on after her husband’s death; a Jerusalemite captured and sent to Rome after the fall of the Great Temple; and an Egyptian slave who builds a family and a home with the Jewish priest who takes her as his bride. In this collection, Stock (In Place of Me, 2015, etc.) takes the stories—whose contours are merely hinted at in the artifacts themselves—and fleshes them out, extrapolating lives and worlds from ancient etchings on rock, paper, and parchment. For too long, the history of Jews (and gentiles, for that matter) has focused on men, and one of Stock’s goals in building out her tales is to give voices to the women whose lives made up so much of the rich tapestry of Judaism. As Senior Rabbi Stacy Friedman writes in her liner notes, these voices have been “long suppressed by the larger currents of history.” Stock’s excavation, then, is an extremely worthy project. But it’s clear her fascination with these tales is not only political; it is also imaginative, and she breathes life and energy into the narratives these artifacts imply (“The destruction of the Great Temple in Jerusalem flickered through her. Often when she closed her eyes some part of the horror would rise up, tilting crazily then turning in her mind, until she seemed to be seeing it all under water”). A skilled prose stylist, the author pulls off a delicate balancing act between the modern and the ancient; her rendering of these lives feels both contemporary and of their own time. The enterprise’s only weakness is its structure. Stock decides to set her stories in reverse chronological order, and the effect is a bit confusing: presumably, the culmination of these tales comes in the experiences of Jewish women today, so it’s a bit odd that the end of her collection leaves readers on an island in the Nile two and a half millennia ago.
These stories about remarkable women deliver an elegant blend of history and art.Pub Date: Jan. 25, 2018
ISBN: 978-1-60052-144-7
Page Count: 314
Publisher: Norfolk Press
Review Posted Online: Dec. 12, 2017
Kirkus Reviews Issue: Feb. 1, 2018
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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