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NO ORDINARY TIME

FRANKLIN AND ELEANOR ROOSEVELT: THE HOMEFRONT IN WORLD WAR II

A superb dual portrait of the 32nd President and his First Lady, whose extraordinary partnership steered the nation through the perilous WW II years. In the period covered by this biography, 1940 through Franklin's death in 1949, FDR was elected to unprecedented third and fourth terms and nudged the country away from isolationism into war. It is by now a given that Eleanor was not only an indispensable adviser to this ebullient, masterful statesman, but a political force in her own right. More than most recent historians, however, Goodwin (The Fitzgeralds and the Kennedys, 1987) is uncommonly sensitive to their complex relationship's shifting undercurrents, which ranged from deep mutual respect to lingering alienation caused by FDR's infidelity. One element creating tension was tactical politics: FDR, seeing increased arms production as crucial to the war effort, sought to close the divide between businessmen and his administration, while Eleanor prodded him not to forget about labor, civil rights, and Jewish refugees. As grateful as he was to her for acting as his political eyes and ears, Franklin also could react testily to her unremitting lobbying at times when he desperately needed relief from the strains of running the war effort. Equally fascinating here are the often semi-permanent White House guests who filled the couple's "untended needs": their daughter and four sons; FDR alter ego Harry Hopkins, shaking off grave illness to go on critical diplomatic missions; Franklin's secretary Missy LeHand, prevented by a stroke from serving the man she loved; exiled Princess Martha of Norway, who gave Franklin the unqualified affection of which Eleanor was incapable; two of Eleanor's confidantes, future biographer Joe Lash and the lesbian ex-journalist Lorena Hickok; and Winston Churchill. A moving drama of patchwork intimacy in the White House, played out against the sweeping tableau of the nation rallying behind a great crusade.

Pub Date: Sept. 23, 1994

ISBN: 0-671-64240-5

Page Count: 864

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1994

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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