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WALKING IN THE SHADE

VOL. II OF MY AUTOBIOGRAPHY, 1949-1962

Lessing, as this second installment of her autobiography again proves, is one of those rare writers who has lived the examined life and is willing to share what she has learned and done, even if it is not to her credit. Unlike the first volume of memoirs (Under My Skin, 1994), the personal narrative takes second place here as Lessing concentrates on the intellectual and ideological forces that affected her during the 1950s. She arrived in London with her young son, Peter, in 1949, after leaving her second husband. London was still a bleak and bombed-out city—housing was short, food was rationed, and the people were enervated. Lessing found a good agent and managed to live on her earnings as a writer. She describes her mother's lonely death in Rhodesia, caused in part, Lessing thinks, by her rejection of her mother's offers of affection and support. She does not slight the personal or domestic: She worries about raising Peter as a single parent, and frankly describes her two lengthy affairs. But it is the world of ideas, of publishing, writing, and the theater, that primarily engage her. She describes how she writes and what she tried to achieve in writing her immensely influential novel The Golden Notebook. She is frank about joining the Communist Party (probably "the most neurotic act of my life"); about her disillusionment with it and other mass movements ("the first impulse was the thrills . . . secondly came the politics"); and she is angry and insightful about the British, who suffer, she says, from "a reluctance to understand extreme experience." A history of a difficult, often grim time related by an astute observer, as well as a truthful record of a bumpy journey to self-knowledge. Further proof, if it were needed, of Lessing's remarkable ability to look reality in the face and not blink.

Pub Date: Oct. 1, 1997

ISBN: 0-06-018295-4

Page Count: 416

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1997

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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