An important document of the struggles (and triumphs) faced by African-American journalists from the 1960s until today.
Affecting memoir by an African-American journalism pioneer focused on racial and gender equality.
Retired Washington Post reporter and columnist Gilliam (Paul Robeson: All American, 1976) looks back on her distinguished career, during which she helped spur diversity in the media, beginning in an era when such change seemed nearly impossible. “I saw myself,” she writes, “as one of the new-style, aggressive black Americans moving up in Washington and elsewhere [and] I immediately faced prejudice outside and inside the tension-filled newsroom.” Gilliam (b. 1936) was the first black woman journalist hired at the Post, and though some colleagues reached out, the author amply shows the surreal, hurtful quality of social segregation in the early 1960s. Before that, she experienced Jim Crow during a childhood in Memphis and Louisville; her father’s occupation as a pastor showed her both poverty and an aspiration for knowledge and success. In the book’s most powerful section, Gilliam narrates her experiences covering infamous civil rights flashpoints, including recollections of white supremacist mob violence: “As a Southerner, I knew Mississippi was a land of black death, but I went anyway.” After a hiatus, during which she raised children with the artist Sam Gilliam, she received an offer from Ben Bradlee to come back to the Post, which was then being questioned for its lack of diversity. “As a black person,” she writes, “I had been fighting racial discrimination in the media for more than a decade.” Gilliam remained at the Post until 2013 and then immersed herself in efforts to bring young people of color into the media. The author writes with an acute sense of the historical significance of her career and the changes she witnessed, and she forcefully demonstrates the continuing crisis regarding people of color in mainstream journalism. Only occasionally does the narrative become repetitive or tiresome, but on the whole, the pages turn easily.
An important document of the struggles (and triumphs) faced by African-American journalists from the 1960s until today.Pub Date: Jan. 8, 2019
ISBN: 978-1-5460-8344-3
Page Count: 360
Publisher: Center Street/Hachette
Review Posted Online: Nov. 20, 2018
Kirkus Reviews Issue: Dec. 15, 2018
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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