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LILLIAN HELLMAN

AN IMPERIOUS LIFE

Less a conventional biography than a critical appraisal of the subject’s character, career and contradictions—not likely to...

In her own memoirs, How I Came into My Inheritance (2001), Gallagher has shown herself to be an incisive, sharp-edged, darkly humorous writer, and these qualities help engage readers in a study of Lillian Hellman (1905–1984) that might otherwise seem mean-spirited.

The author has no personal ax to grind against her subject, as do many of the sources she quotes, but her portrait is all the more devastating since it seems so matter-of-fact. The best she can say about Hellman is that she was “a conundrum—a person whose determination to prevail in all aspects of her life was often at odds with the persona of moral rectitude she presented to the world.” Her longest success, as a playwright, started with her relationship with Dashiell Hammett and ended with him, leading Gallagher to suggest that on her own, Hellman would not have amounted to nearly as much. Her memoirs, which gave her a literary resurgence, are dissected for untruths and half-truths, usually self-serving. She was an unapologetic Stalinist (as was her lover Hammett) who was either ignorant or uncaring about the realities of the brutal dictator’s rule. “What seems most peculiar in Hellman’s casual misuse of factual truth is her comfort with what might be easily shown to be untrue,” writes Gallagher, using the memory Hellman spun into the highly acclaimed movie Julia (1977) as an example. Gallagher comes closest to admiration in her accounts of Hellman’s promiscuity, which reportedly resulted in at least seven abortions. “She was never very pretty,” writes the author, “and there is no doubt that all her life she suffered from a lack of beauty, although it never seemed to impede her very active sexual life.” Or: “Few beautiful women could equal Hellman’s sexual success; few had her boldness, her presence, her nerve.”

Less a conventional biography than a critical appraisal of the subject’s character, career and contradictions—not likely to add any luster to Hellman’s tarnished reputation.

Pub Date: Jan. 28, 2014

ISBN: 978-0-300-16497-8

Page Count: 184

Publisher: Yale Univ.

Review Posted Online: Nov. 25, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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BORN SURVIVORS

THREE YOUNG MOTHERS AND THEIR EXTRAORDINARY STORY OF COURAGE, DEFIANCE, AND HOPE

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered...

The incredible true story of three Jewish women who survived the Holocaust.

Priska, Rachel, and Anka were married Jewish women in their early 20s when the Nazis took control of Europe. Like millions of other Jews, they were forced to give up their normal lives, all of their belongings, and their homes. Shuttled into ghettos and then off to one of the most notorious camps, Auschwitz II-Birkenau, they suffered through the Nazis’ increasing atrocities. But these three women all held a secret: they were pregnant. They were moved from Auschwitz and ended up in Mauthausen, another notorious death camp. With facing the most horrible conditions imaginable, all three gave birth right before the Allies accepted Germany’s surrender. In this meticulously detailed account, Holden (Haatchi & Little B: The Inspiring True Story of One Boy and His Dog, 2014, etc.) compiles an enormous amount of information from interviews, letters, historical records, and personal visits to the sites where this story unfolded. The graphic history places readers in the moment and provides a sense of the enduring power of love that Priska, Rachel, and Anka had for their unborn children and for the husbands they so desperately hoped to see after the war. Even though it occurred more than 70 years ago, the story’s truth is so chillingly portrayed that it seems as if it could have happened recently. These three women and their infants survived in the face of death, and, Holden writes, “their babies went on to have babies of their own and create a second and then a third generation, all of whom continue to live their lives in defiance of Hitler’s plan to erase them from history and from memory.”

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered through at the hands of the Nazis.

Pub Date: May 5, 2015

ISBN: 978-0-06-237025-9

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: March 28, 2015

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