by Dorothy Speak ‧ RELEASE DATE: July 1, 1998
A fine collection of nine edgy, vivid stories, most of which appeared first in Canadian periodicals, by an Ottawa writer who has been hailed as “the new Alice Munro.” Speak isn’t quite that (nor does the old Alice Munro need replacing just yet, thank you), but her crisp, troubling portrayals of women discovering the worst about their families, their lovers, or themselves are distinguished by a terse, acerbic prose style and skillful deployment of well-chosen images. “Stroke,” for example, depicts a long-married woman’s acquiescence to the loss of her husband within the wintry context created by an indifferent faraway daughter, a melting snowman, and a dying cherry tree. “Eagle’s Bride,” examining the anger of a woman who loses her lover back to his determined wife, occurs on the edge of an Inuit settlement and makes striking use of the Eskimo legend that provides its title. Several of Speak’s principal characters are women who sin more than they’re sinned against: The title story’s protagonist emulates her long-absent father by defying convention and welcoming “the sin and the shame . . . as they seem to be what makes life worth living.” And Honora, in —The View From Here,— revenges herself on the family who exploit and ignore her, only to realize that, by failing to set a loving example, she has sealed her own grown daughter’s tragic fate. Two stories are truly exceptional: “Memorabilia,” in which an aggrieved wife confronts her unfaithful husband, pushing him toward career- and life-changes that make a new man of him and remove her from his life; and “Summer Sky: White Ship,” the brutally realistic story of a woman who marries into a family of violent, petty-criminal men and can’t shake off their influence or save herself for anything (or anyone) better. Strong, memorable stories that add scarred, exhausted flesh and blood to —the sad statistics of the heart.— Alice Munro would surely approve.
Pub Date: July 1, 1998
ISBN: 0-312-18638-X
Page Count: 208
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1998
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More by Dorothy Speak
BOOK REVIEW
by Janice Hadlow ‧ RELEASE DATE: March 31, 2020
Entertaining and thoroughly engrossing.
Another reboot of Jane Austen?!? Hadlow pulls it off in a smart, heartfelt novel devoted to bookish Mary, middle of the five sisters in Pride and Prejudice.
Part 1 recaps Pride and Prejudice through Mary’s eyes, climaxing with the humiliating moment when she sings poorly at a party and older sister Elizabeth goads their father to cut her off in front of everyone. The sisters’ friend Charlotte, who marries the unctuous Mr. Collins after Elizabeth rejects him, emerges as a pivotal character; her conversations with Mary are even tougher-minded here than those with Elizabeth depicted by Austen. In Part 2, two years later, Mary observes on a visit that Charlotte is deferential but remote with her husband; she forms an intellectual friendship with the neglected and surprisingly nice Mr. Collins that leads to Charlotte’s asking Mary to leave. In Part 3, Mary finds refuge in London with her kindly aunt and uncle, Mr. and Mrs. Gardiner. Mrs. Gardiner is the second motherly woman, after Longbourn housekeeper Mrs. Hill, to try to undo the psychic damage wrought by Mary’s actual mother, shallow, status-obsessed Mrs. Bennet, by building up her confidence and buying her some nice clothes (funded by guilt-ridden Lizzy). Sure enough, two suitors appear: Tom Hayward, a poetry-loving lawyer who relishes Mary’s intellect but urges her to also express her feelings; and William Ryder, charming but feckless inheritor of a large fortune, whom naturally Mrs. Bennet loudly favors. It takes some maneuvering to orchestrate the estrangement of Mary and Tom, so clearly right for each other, but debut novelist Hadlow manages it with aplomb in a bravura passage describing a walking tour of the Lake District rife with seething complications furthered by odious Caroline Bingley. Her comeuppance at Mary’s hands marks the welcome final step in our heroine’s transformation from a self-doubting wallflower to a vibrant, self-assured woman who deserves her happy ending. Hadlow traces that progression with sensitivity, emotional clarity, and a quiet edge of social criticism Austen would have relished.
Entertaining and thoroughly engrossing.Pub Date: March 31, 2020
ISBN: 978-1-250-12941-3
Page Count: 448
Publisher: Henry Holt
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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by Kristin Hannah ‧ RELEASE DATE: March 31, 1999
Hannah, after eight paperbacks, abandons her successful time-travelers for a hardcover life of kitchen-sink romance. Everyone must have got the Olympic Peninsula memo for this spring because, as of this reading, authors Hannah, Nora Roberts, and JoAnn Ross have all placed their newest romances in or near the Quinault rain forest. Here, 40ish Annie Colwater, returns to Washington State after her husband, high-powered Los Angeles lawyer Blake, tells her he’s found another (younger) woman and wants a divorce. Although a Stanford graduate, Annie has known only a life of perfect wifedom: matching Blake’s ties to his suits and cooking meals from Gourmet magazine. What is she to do with her shattered life? Well, she returns to dad’s house in the small town of Mystic, cuts off all her hair (for a different look), and goes to work as a nanny for lawman Nick Delacroix, whose wife has committed suicide, whose young daughter Izzy refuses to speak, and who himself has descended into despair and alcoholism. Annie spruces up Nick’s home on Mystic Lake and sends “Izzy-bear” back into speech mode. And, after Nick begins attending AA meetings, she and he become lovers. Still, when Annie learns that she’s pregnant not with Nick’s but with Blake’s child, she heads back to her empty life in the Malibu Colony. The baby arrives prematurely, and mean-spirited Blake doesn’t even stick around to support his wife. At this point, it’s perfectly clear to Annie—and the reader—that she’s justified in taking her newborn daughter and driving back north. Hannah’s characters indulge in so many stages of the weeps, from glassy eyes to flat-out sobs, that tear ducts are almost bound to stay dry. (First printing of 100,000; first serial to Good Housekeeping; Literary Guild/Doubleday book club selections)
Pub Date: March 31, 1999
ISBN: 0-609-60249-7
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 1999
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