Most readers will want to turn to more deeply felt books about the era, including Philip Caputo’s A Rumor of War (1977),...

KEEP YOUR HEAD DOWN

VIETNAM, THE SIXTIES, AND A JOURNEY OF SELF-DISCOVERY

Middling memoir of the bad old days of booze, acid and shrapnel.

Call me Snakebrain. So poet Anderson (Creative Writing/Univ. of Connecticut Greater Hartford) dubs the “second self that lies dormant until he’s needed” that somehow hitched a ride on his psyche while serving in Vietnam. He arrived there in 1967 and served as a Marine medic in combat “against the tough and committed Communist Vietcong and NVA.” Before the war, he writes, he did all the usual things of the early ’60s—pondering inequality and injustice, signing up for college, flunking ROTC, hanging out with young radicals in coffeehouses and listening to folk singers. During the war, he dodged mortar shells and bullets, smoked dope and listened to Hendrix—the stuff, in other words, of countless memoirs and nearly every Vietnam movie ever filmed. Anderson writes competently if formulaically—“I don’t know anything either, apart from the masks I use to cover my fear”—but there’s not a surprising moment at any turn in the narrative. Even the closing, when he returns with other writer veterans to workshop with the erstwhile enemy, is predictable down to the last note (“So much of my life is a blur. The war years are veiled in fear and confusion”). The author’s rigorously honest account of his postwar return to college life and the development of various addictions as manifestations of trauma—“Pot loosens the flak jacket and I float where I don’t want to”—will be of use to students of psychology, counselors and other mental-health professionals. Those readers have their hands full treating veterans of latter-day conflicts, but Snakebrain makes for an oddly fascinating subject.

Most readers will want to turn to more deeply felt books about the era, including Philip Caputo’s A Rumor of War (1977), Jonathan Shay’s Achilles in Vietnam (1994) and Peter Coyote’s Sleeping Where I Fall (1998).

Pub Date: July 1, 2009

ISBN: 978-0-393-06855-9

Page Count: 288

Publisher: Norton

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 2009

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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