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AND THEN I MET ELVIS...

An immersive, nostalgic, and sometimes-gloomy look at adolescence.

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In Bari’s debut coming-of-age tale, a teenage boy has many new experiences during the summer of 1969.

Thirteen-year-old Tim isn’t happy about relocating again. Because his alcoholic mother hasn’t been paying the rent, they have to move—in the middle of the night—to a trailer park in Glen Cove, Maine. Only two weeks remain in the academic year, but it’s enough time for Tim to catch the attention of Moosie and his fellow bullies at his new school. They mock him for being poor, beat him up, and promise they’ll see him at school next year. At home, Tim’s mother largely neglects him but also explicitly blames him for his father’s abandoning the family. However, the summer does have its perks. Tim begins regularly babysitting the 1-year-old son of his 21-year-old neighbor, Dorothy; the teen is almost immediately smitten with the young woman. Another recent arrival in the trailer park is Darrell, a teen who reminds Tim of Elvis Presley, resulting in a new nickname. The two boys frequently hang out at Dorothy’s or the local pizza joint. Over the summer, Tim dabbles in a variety of new activities, including smoking, drinking, shoplifting issues of Playboy, and listening to rock music; he repeatedly plays the Beatles’ single “The Ballad of John and Yoko” on the pizza place’s jukebox, as his mother bans it from their home for its lyrics’ presumed blasphemy. Once school starts, Moosie and his cronies reset their sights on Tim, but now the teen has the imposing and protective “Elvis” to back him up. However, not all the events of 1969 are good ones—as when Moosie takes full advantage of the few instances when Elvis isn’t by Tim’s side. Bari’s novel offers an absorbing but often dour story. The scenes inside Tim’s mobile home are bleak—the protagonist has to clean up his mother’s vomit—and those at school are incessantly tense, because Moosie is often waiting to strike whenever Tim is vulnerable. But a strong sense of nostalgia helps alleviate the book’s darker moments, as when Tim, as a paperboy, goes door-to-door to collect money from subscribers, some of whom actively avoid paying him. The boy also listens to copious rock tracks that were popular in 1969, although he’s primarily fixated on those by the Beatles. At another point, he and Elvis watch Easy Rider on the big screen, and when Tim emulates the movie by sewing an American flag on the back of his shirt, he inadvertently inspires anger. The author engagingly injects grim humor into the proceedings with occasionally cheeky descriptions, as when Tim describes his mother’s “high-heeled wobble down the hall to the bathroom.” There are a couple of plot turns in the latter half that are truly startling, but Tim’s overall character arc is consistent: He may be skinny, and the target of bullies, but he slowly becomes a stronger person—even if he can’t see it, himself.

An immersive, nostalgic, and sometimes-gloomy look at adolescence.

Pub Date: May 28, 2018

ISBN: 978-1-985693-45-6

Page Count: 256

Publisher: CreateSpace

Review Posted Online: Aug. 11, 2019

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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