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AND THEN I MET ELVIS...

An immersive, nostalgic, and sometimes-gloomy look at adolescence.

Awards & Accolades

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In Bari’s debut coming-of-age tale, a teenage boy has many new experiences during the summer of 1969.

Thirteen-year-old Tim isn’t happy about relocating again. Because his alcoholic mother hasn’t been paying the rent, they have to move—in the middle of the night—to a trailer park in Glen Cove, Maine. Only two weeks remain in the academic year, but it’s enough time for Tim to catch the attention of Moosie and his fellow bullies at his new school. They mock him for being poor, beat him up, and promise they’ll see him at school next year. At home, Tim’s mother largely neglects him but also explicitly blames him for his father’s abandoning the family. However, the summer does have its perks. Tim begins regularly babysitting the 1-year-old son of his 21-year-old neighbor, Dorothy; the teen is almost immediately smitten with the young woman. Another recent arrival in the trailer park is Darrell, a teen who reminds Tim of Elvis Presley, resulting in a new nickname. The two boys frequently hang out at Dorothy’s or the local pizza joint. Over the summer, Tim dabbles in a variety of new activities, including smoking, drinking, shoplifting issues of Playboy, and listening to rock music; he repeatedly plays the Beatles’ single “The Ballad of John and Yoko” on the pizza place’s jukebox, as his mother bans it from their home for its lyrics’ presumed blasphemy. Once school starts, Moosie and his cronies reset their sights on Tim, but now the teen has the imposing and protective “Elvis” to back him up. However, not all the events of 1969 are good ones—as when Moosie takes full advantage of the few instances when Elvis isn’t by Tim’s side. Bari’s novel offers an absorbing but often dour story. The scenes inside Tim’s mobile home are bleak—the protagonist has to clean up his mother’s vomit—and those at school are incessantly tense, because Moosie is often waiting to strike whenever Tim is vulnerable. But a strong sense of nostalgia helps alleviate the book’s darker moments, as when Tim, as a paperboy, goes door-to-door to collect money from subscribers, some of whom actively avoid paying him. The boy also listens to copious rock tracks that were popular in 1969, although he’s primarily fixated on those by the Beatles. At another point, he and Elvis watch Easy Rider on the big screen, and when Tim emulates the movie by sewing an American flag on the back of his shirt, he inadvertently inspires anger. The author engagingly injects grim humor into the proceedings with occasionally cheeky descriptions, as when Tim describes his mother’s “high-heeled wobble down the hall to the bathroom.” There are a couple of plot turns in the latter half that are truly startling, but Tim’s overall character arc is consistent: He may be skinny, and the target of bullies, but he slowly becomes a stronger person—even if he can’t see it, himself.

An immersive, nostalgic, and sometimes-gloomy look at adolescence.

Pub Date: May 28, 2018

ISBN: 978-1-985693-45-6

Page Count: 256

Publisher: CreateSpace

Review Posted Online: Aug. 11, 2019

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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