A literate, thoughtful memoir/essay collection from the heartland.
Bauer, a Boston-based writer and teacher (Literature/Bennington Coll.; Prairie City, Iowa: Three Seasons at Home, 2012, etc.), was once an Iowa farm boy. In these deeply personal essays, he celebrates his family’s life in the Hawkeye State.
Age-related ailments are the author’s evocative madeleine in his search for times past in the American heartland: Cataract surgery on the day his mother died results in a warm recollection of her life; an echocardiogram for tachycardia brings forth more rural family history; in his knee, a torn meniscus carries memories of the girls for whom young Bauer pined. The author remembers the kitchen aromas, the tractor growls, the working Iowa weekdays and the quiet Sundays in a genial, gentle manner. It’s as homely as checkers, modest as an outhouse, and, too, elegant and cleareyed. With his narrative artistry, Bauer renders the commonplace uncommon. He ably brings to life his forebear farmers and their diligent wives, the mean-tempered coal-miner grandfather in his bib overalls and his wife, and the corpulent grandmother. Bauer reimagines his parents’ youthful romance and paints, as well, their later, more fraught relationship. His mother always admired well-maintained farm tillage, and his father grew more taciturn as their bond became more caustic. After he died, her memory of married life became anodyne again. Early in his writing career, Bauer was befriended by the notable food critic and essayist M.F.K. Fisher, who, in important ways, seemed to become another maternal influence. And so the answer to the rhetorical question of this work’s title is clear. As the memoir reaffirms, we live and love, and the years pass, to be relived in memory of those who follow. It’s fortunate, then, to be memorialized in essays like these.
A literate, thoughtful memoir/essay collection from the heartland.Pub Date: Sept. 15, 2013
ISBN: 978-1-60938-183-7
Page Count: 160
Publisher: Univ. of Iowa
Review Posted Online: July 29, 2013
Kirkus Reviews Issue: Aug. 15, 2013
BOOK REVIEW
BOOK REVIEW
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
BOOK REVIEW
IN THE NEWS
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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